L1025934 (via http://flic.kr/p/EWMS8m )
L1026009 (via http://flic.kr/p/FJ4tZE )
Iggy’s - March 2016 (via http://flic.kr/p/FLn8HD )
Hiroshi Hamaya, Ginza, 1931.
“In an unusual attempt to prevent more [labour] protests, some of China’s biggest coal mining companies are now focusing on other businesses entirely, Chinese media reports. Coal mining companies in Jincheng, a city in north China’s Shanxi province have embraced pharmacies, solar power stations, restaurants, supermarkets, and vegetable and fruit planting, National Business Daily (link in Chinese) reported on Mar. 28.”
– Zheping Huang, ‘China’s coal companies are so desperate, they’ve started farming to keep employees busy’ (2016)
In My Dream by HungryMax (via http://flic.kr/p/B2yjeZ )
1-24-2016_110 by Blue Tapes (via http://flic.kr/p/D8jVkJ )
Space Station 360: Destiny lab by europeanspaceagency (via http://flic.kr/p/FNisgG )
☾ by EmilyJHansell (via http://flic.kr/p/FmXadE )
“From the ideal cities of the Renaissance, to Ebenezer Howard’s garden city movement, to Le Corbusier’s modernist City of Tomorrow, with its “single society, united in belief and action”, design was seen as a critical tool with which it was possible to transform both political reality and the quality of life. Architecture, the most utopian of the arts, was interpreted as a harmonising force, able to shape not only space, but to use technology to mould attitudes and beliefs for the better.”
“As modernist architects and designers pursued social perfection with uncritical zeal, utopian ideals often degenerated into dystopian realities. Writers such as Orwell, HG Wells and Aldous Huxley illustrated the dangers inherent in utopian thinking, and questioned the utopian faith in science and technology as an industrial lifeboat that promised to banish scarcity and waste.”
“TraPac ran into labor-related setbacks in 2014 when ILWU members walked off the job for more than a month after several machinery collisions occurred in the automated area of the terminal.”
Mauna Kea Star Wars by Ca$hReNo (via http://flic.kr/p/FFjRB4 )
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Cloudy Rio by Tim Peake (via http://flic.kr/p/FKsdgs )
by ETWKWWTWK (via http://flic.kr/p/FnDDCd )
I don’t think I’ve posted this yet! An old piece from grad school.
Pistol shrimp, or snapping shrimp, have a disproportionately large claw from where it derives its name. As a defense mechanism and for hunting, when the claw closes with a quick snap, it emits a bubble. This bubble, upon bursting, causes an extremely powerful sound wave (sonic boom!) which can kill small fish and stun larger ones.
River morphology. Peru. Via. (You can make images like this too, read on).
Rivers through time, as seen in Landsat imagesThanks to the Landsat program and Google Earth Engine, it is possible now to explore how the surface of the Earth has been changing through the last thirty years or so. Besides the obvious issues of interest, like changes in vegetation, the spread of cities, and the melting of glaciers, it is also possible to look at how rivers change their courses through time. You have probably already seen the images of the migrating Ucayali River in Peru, for example here. This river is changing its course with an impressive speed; many – probably most – other rivers don’t show much obvious change during the same 30-year period. What determines the meander migration rate of rivers is an interesting question in fluvial geomorphology.
The data that underlies Google Earth Engine is not accessible to everybody, but the Landsat data is available to anyone who creates a free account with Earth Explorer. It is not that difficult (but fairly time consuming) to download a set of images and create animations like this one.
“My first impulse, when presented with any spanking-new piece of computer hardware, is to imagine how it will look in ten years’ time, gathering dust under a card table in a thrift shop.”
― William Gibson
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☾ by EmilyJHansell (via http://flic.kr/p/Fsbg5M )
Cast a stone across the waters by Natan Vance (via http://flic.kr/p/ENSBc6 )
Akronimial Antignoasis Punkturaal by bibire.deviantart.com (via http://flic.kr/p/EP9Fuo )
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_-2 (via http://flic.kr/p/FEUhTv )
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Dunes by Hengki Koentjoro (via http://flic.kr/p/FCBN3u )
Many on the listserv are framing Angola’s Wikipedia pirates as bad actors who need to be dealt with in some way so that more responsible editors aren’t punished for their actions. This line of thinking inherently assumes that what Angola’s pirates are doing is bad for Wikipedia and that they must be assimilated to the already regulated norms of Wikipedia’s community. If the developing world wants to use our internet, they must play by our rules, the thinking goes. But people in developing countries have always had to be more creative than those for whom access to information has always been a given. A 20-year-old developer in Paraguay found a vulnerability in Facebook Messenger that allowed people to use Free Basics to tunnel through to the “real” internet. Legal questions aside (Angola has more lax copyright laws than much of the world), Angola’s pirates are furthering Wikipedia’s mission of spreading information in a real and substantial way.
Etosha by europeanspaceagency (via http://flic.kr/p/FBqgvf )
(via http://flic.kr/p/FBpZ6G )
crystal universe (via http://flic.kr/p/FvwAjN )
crystal universe (via http://flic.kr/p/FBpVTE )
shadow bath (via http://flic.kr/p/EJg12G )
shadow bath (via http://flic.kr/p/FxQcKk )
shadow bath (via http://flic.kr/p/FDGov2 )
shadow bath (via http://flic.kr/p/EJfVa7 )
“No, I’m not real. I’m actually everything and nothing at all.”
–RuPaul Andre Charles
Black Libraries by auspices (via http://flic.kr/p/EGHmWg )
[ - spectral sunrise 000000023e - ] by Mr. TRONA (via http://flic.kr/p/EFmTVZ )
Striking colour by Tim Peake (via http://flic.kr/p/FwmY4H )
Texture by Tim Peake (via http://flic.kr/p/FwmVeV )
by mondleaux (via http://flic.kr/p/DUkmF4 )
Pseudohurricanization Of The Night Of The Deep by bibire.deviantart.com (via http://flic.kr/p/EbyaXR )
☾ by EmilyJHansell (via http://flic.kr/p/DvEYGq )
☾ by EmilyJHansell (via http://flic.kr/p/DxcRWE )
black treacle by kyingwong (via http://flic.kr/p/EsZEJL )
☾ by EmilyJHansell (via http://flic.kr/p/DvNLh9 )
☾ by EmilyJHansell (via http://flic.kr/p/ESPTf9 )
mars by brucesflickr (via http://flic.kr/p/F8Y84J )
Rainbow Plane by STML (via http://flic.kr/p/FtxhXx )
#shadowbath for #ilightmarinabay with music by #ansumanbiswas by studio_loop.ph (via https://www.instagram.com/p/BDRopxDvdQ6/)
Lonely lunch by europeanspaceagency (via http://flic.kr/p/ECP2H8 )
by 美撒郭 (via http://flic.kr/p/FAsD2H )
Light Forms Grey Forms Dark Forms is a series of amorphous self-portraits made in twilight landscapes of urban forests.
The mysterious black and white images focus on photographer’s own body, nearly unidentifiable as a human figure between the woods.
Started as a reflection on mystical facets of nature in city areas, the project gradually grew into precise ritual with its own myth of unnoticed semi-dark life.
“Some anthropologists of infrastructure have critically reexamined Star’s claim that infrastructure becomes ‘visible upon breakdown’. Their key observation is that infrastructure can take on different meanings and thus different visibilities for different people, at different times, and in different places. For example, a large-scale piece of infrastructure may be treated as a monument. Or the act of breaking ground for a new highway or launching a satellite may be defined as a national project. Meanwhile, a regional information hub can be the target of terrorism, and a waste-disposal facility can be seen as a nuisance to comfortable community life. To put it simply, infrastructure is not always infrastructure only in a material sense: it can have many other symbolic or imaginative capacities.”
Shuhei Kimura, ‘When a Seawall Is Visible’,
Science as Culture (2016)
Jarosite in the Noctis Labyrinthus Region of Mars. Image acquired on Nov. 24, 2015 by the High Resolution Imaging Science Experiment (HiRISE) camera aboard NASA’s Mars Reconnaissance Orbiter.
こうさ (Chūō-ku, Sapporo)
“Art of the late twentieth and early twenty-first century tends to be always distracted, never favouring any topic for very long anyway, with the notable exception of an introspective obsession with art itself”
Aesthetics, Art, Evolution.
DSCF3201 by _foam (via http://flic.kr/p/7MwMBH )
sunday. by (x)99. (via http://flic.kr/p/FtqkeL )
sunday. by (x)99. (via http://flic.kr/p/FvH8Cn )
Photo by Matt Biddulph (via http://flic.kr/p/F4JLzC )
200316-1-8 by chrisfriel (via http://flic.kr/p/EyZNfD )
by Maria Louceiro (via http://flic.kr/p/oUjC7q )
Untitled by njtz (via http://flic.kr/p/Dm2yVS )
Untitled by njtz (via http://flic.kr/p/Ea5MYu )
Food, Alcohol & Cameras (Photo Club Meet Up) by Matthew McCutcheon (via http://flic.kr/p/uzh52U )
☾ by EmilyJHansell (via http://flic.kr/p/DDbW1c )
by kCe7 (via http://flic.kr/p/vaLcfw )
Dream Sequence by damonjah (via http://flic.kr/p/puFGYF )
Marble quarriers are visible in Carrara, Italy. The blue-grey marble that is extracted here is widely used in sculpture like Michelangelo’s David and in building decor like The Pantheon. With more than 650 active or abandoned quarry sites, more marble has been extracted here than any other place on earth.
☾ by EmilyJHansell (via http://flic.kr/p/EYst6Y )
☾ by EmilyJHansell (via http://flic.kr/p/ET8JEh )
Yuma chequerboard by europeanspaceagency (via http://flic.kr/p/EtdSBz )
by auspices (via http://flic.kr/p/FqVupP )
Comet #67P on 12 Mar 16 from a distance of 18km by europeanspaceagency (via http://flic.kr/p/Er3YVj )
At the Adalaj Stepwell by cuboctahedron (via http://flic.kr/p/DZNxvg )
city/memory/fragments - 2 by snowghoul (via http://flic.kr/p/EnuLeD )
☾ by EmilyJHansell (via http://flic.kr/p/ET2d75 )
“In the pseudoiterative, one performs the ritual of the day attentive to both the joy of the familiar and the shiver of the accidental”
–Kim Stanley Robinson.
Taciturn by bibire.deviantart.com (via http://flic.kr/p/FcEqrx )
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Orana - March 2016 (via http://flic.kr/p/FiMkuo )
Orana - March 2016 (via http://flic.kr/p/FiMj1S )
[ - moments 313 - ] by Mr. TRONA (via http://flic.kr/p/F3EoPQ )
by Rfdshir (via http://flic.kr/p/F3FqzG )
What’s going on? by Tim Peake (via http://flic.kr/p/EhzTY7 )
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Darkageragecage by bibire.deviantart.com (via http://flic.kr/p/Fgua7f )