ALICIA M. TOLOSA 07-19-13015 by Eye Center (via http://flic.kr/p/fcwagd )
ALICIA M. TOLOSA 07-19-13008 by Eye Center (via http://flic.kr/p/fcwapy )
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velito fernandez 11-05-13012 by Eye Center (via http://flic.kr/p/hh5qMY )
velito fernandez 11-05-13024 by Eye Center (via http://flic.kr/p/hh5o29 )
ALER GAGUI 12-02-13017 by Eye Center (via http://flic.kr/p/i1FQkj )
Raccoon Costume by coreyfishes (via http://flic.kr/p/d9Ccw )
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by Bimbi Gardel (via http://flic.kr/p/52JrGZ )
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dad by Melchior Tersen (via http://flic.kr/p/akQEz1 )
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The Birds by lawrenceripsher (via http://flic.kr/p/7sSABb )
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Introspective by dzvereff (via http://flic.kr/p/i2a3MY )
3.jpg (via http://zvereff.com/journal/introspective/)
Computer scientists have discovered a way to number-crunch an individual’s own preferences to recommend content from others with opposing views. The goal? To burst the “filter bubble” that surrounds us with people we like and content that we agree with.
I’ve been a very busy boy. All day, we’ve been chasing the scoundrel with our stolen bitcoins through the blockchain. Around lunchtime (UK), I was chasing him across the roof of a moving train, (metaphorically). I was less than 20 minutes, or 2 blockchain confirmations, behind “Tomas”. He was desperately creating new wallet addresses and moving his 49 retirement wallets through them, but having to wait for 3 or 4 confirmations each time before moving them again. Each time I caught up, I “666"ed him - sent 0.00666 bitcoins to mess up his lovely round numbers like 4,000. Then,all of a sudden, decimal places started appearing, and fractions of bitcoins were jumping from wallet to wallet like grasshoppers on a hotplate without stopping for confirmations.
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20131201a by jonathanmccabe (via http://flic.kr/p/hYEMVn )
scène de la vie conjugale by paolobarzman (via http://flic.kr/p/hYT5Xz )
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Tache solaire by Mariephi (via http://flic.kr/p/hXd4sf )
This is a game in which a sentient closet-based AI locks four girls in a room (with giant metal barriers) because one of them smudged her make-up, and forces them to repeatedly apply lipstick and eyeliner to freakishly giant doll heads until he is satisfied. That’s not my arch interpretation of events. That’s what actually happens.
I created a data visualization with #processing to show the distribution of selfies across instagram. This was fun and only took a couple hours to code up. Massing of form mostly shows geographic popularity and distribution. Large “bubbles” show particularly popular selfies. I took a 1000 image sample size at 11:55PM PST of the latest uploads. Of those 1000, 200 had location data that made them “mappable.”
I’ll try and make a few more of these with different timestamps and perhaps it will begin to tell a more detailed story?
clicks-ReflectanceCP018VRgb0.55-crop (via http://www.pawfal.org/dave/blog/2013/11/project-nightjar-camouflage-data-visualisation-and-possible-internet-robot-predators/)
The Reddit tic-tac-toe bot via Daily Dot
As on Twitter, courting the bot-making community has resulted in a surfeit of novelty. One user created a bot that plays tic-tac-toe in the comments of Reddit threads; another scans the comments for replies with the proper syllable count, then reformats them as a haiku. When it comes to such playful uses, though, the users who moderate subreddits tend to be less tolerant than the site’s administrators. Because Reddit is oriented around topical subreddits, rather than on the Twitter-like option to follow or unfollow other users, the line between novelty and spam quickly grows thin. Thus, when bot-generated jokes lose their novelty or exhibit a tendency to derail discussion, the usual remedy is to ban them from more and more subreddits, until there’s no place left for them to play.
Matthew Stone“Love Focused Like a Laser” at The Hole (November 10 – December 22, 2012)
Kenneth Josephson, Chicago, 1961.
The New Uncanny is un-self-consciousness filtered through hyper-self-consciousness, unprocessed absurdity, grandiosity of desire, and fantastic self-regard.
“Somehow it seems to have reactivated itself and made its way along the work surface where it pushed a cooking pot out of the way and basically that was the end of it,” fireman Helmut Kniewasser told The Daily Mail. “I don’t know about the allegations of a robot suicide but the homeowner is insistent that the device was switched off—it’s a mystery how it came to be activated and ended up making its way to the hotplate.”
“Forget extra cupholders or power windows: the new Renault Zoe comes with a “feature” that absolutely nobody wants. Instead of selling consumers a complete car that they can use, repair, and upgrade as they see fit, Renault has opted to lock purchasers into a rental contract with a battery manufacturer and enforce that contract with digital rights management (DRM) restrictions that can remotely prevent the battery from charging at all.”
For the second time this year, NASA is preparing to send a smartphone-controlled small spacecraft into orbit. The PhoneSat 2.4 mission is demonstrating innovative new approaches for small spacecraft technologies of the future. […]
NASA PhoneSats take advantage of “off-the-shelf” consumer devices that already have many of the systems needed for a spacecraft, but are ultra-small, such as fast processors, multipurpose operating systems, sensors, GPS receivers, and high-resolution cameras.
“It’s tabletop technology,” Petro says. “The size of a PhoneSat makes a big difference. You don’t need a building, just a room. Everything you need to do becomes easier and more portable. The scale of things just makes everything, in many ways, easier. It really unleashes a lot of opportunity for innovation,” he says.
[Bologna] by Urca (via http://flic.kr/p/hCmVMS )
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John Matrix is the Spotify hit artist created by internet security consultant Peter Fillmore. Not being a musician Fillmore generated short midi clips using WolframTones: “WolframTones works by taking ‘simple programs’ from Wolfram’s computational universe, and using music theory and Mathematica algorithms to render them as music.“ Fillmore’s scripts would then splice these with public domain samples, creating a generative sound unlike anything else.
Then to get these songs to the top of the charts, the engineer created some bot fans that would listen to John Matrix’s music 24/7. Running on Amazon servers, a bash script would automate the act of playing the tunes on Spotify. John Matrix soon had amassed millions of plays and made $1000 in royalties. The high chart positions of these songs prompted human listeners to complain, resulting in the account being shut down after a month.
Fillmore narrates the whole story with technical details at his Ruxcon talk.
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future in reverse by Jamais Cascio (via http://flic.kr/p/9vmC8F )
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Folded aircraft at Beaubourg by nicolasnova (via http://flic.kr/p/dtL15J )
William Gibson, Google Glass by 1800joe.com (via http://flic.kr/p/ecHkKn )
Border, Slovenia - Italy by Cabiria8 (via http://flic.kr/p/fmy9WN )
Vielleicht hat ja noch jemand Orwochrom-Filme rumliegen und will sie selbst entwickeln. Einen fertigen Entwicklungssatz gibt es schon seit Jahren nicht mehr. Hier ist nun die komplette Vorschrift 9165 für Orwochrom-Umkehrfilme und die Rezepte für den Selbstansatz der Verarbeitungsbäder zu lesen. Selbst habe ich den Ansatz nicht ausprobiert; ich habe damals meine Orwochroms noch im von Calbe erhältlichen Entwicklungssatz verarbeitet.
final resting place by [AndreasS] (via http://flic.kr/p/gQ3eQr )
There is a lot of talk about “big data” at the moment. For example, this is Big Data Week, which will see events about big data in dozens of cities around the world. But the discussions around big data miss a much bigger and more important picture: the real opportunity is not big data, but small data. Not centralized “big iron”, but decentralized data wrangling. Not “one ring to rule them all” but “small pieces loosely joined”.
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A Confidence of Vertices by Brandon Morse (via http://flic.kr/p/4E2jYr )
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Atlas 1 by Pier M (via http://flic.kr/p/fH9zzc )
The initial idea of Bullipedia was to create a thematic encyclopedia from elBulli by using all the information that we had in our General Catalogue. In fact, in a press release in January 2010 where we announced the transformation of elBulli, we already talked about creating an encyclopedia of technoemotional cuisine. In order to turn this project into a reality we started doing thematic works for the different families of the evolutionary analysis. However, already in February 2012, we realized that in order to do a correct evolutionary analysis, we needed information earlier than elBulli itself. At that moment we decided that Bullipedia was not going to be just about elBulli. In fact we decided to extend the project to include all the western culinary art.
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Like the restaurant on which it is based, A Work in Progress is unconventional with a mix of both high and lowbrow elements. It is packaged as a plain looking three-volume set that is bound together by a rubber band. Unwrapping the package, you will discover in ascending size, Snap Shots, a pocket sized book of candid photos taken at Noma; René Redzepi Journal, a plain paperback designed to look like a composition notebook set in typewriter font; and finally the end product, Noma Recipes, a hardback book with beautifully photographed dishes—each one a presentational masterpiece—that were created during the 12-month journaling period.
The archival record … is best understood as a sliver of a sliver of a sliver of a window into process. It is a fragile thing, an enchanted thing, defined not by its connections to “reality,” but by its open-ended layerings of construction and reconstruction. Far from constituting the solid structure around which imagination can play, it is itself the stuff of imagination.
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Neoreaction is a political ideology supporting a return to traditional ideas of government and society, especially traditional monarchy and an ethno-nationalist state. It sees itself opposed to modern ideas like democracy, human rights, multiculturalism, and secularism. I tried to give a more complete summary of its beliefs in Reactionary Philosophy In An Enormous, Planet Sized Nutshell.
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6/52 ‘The Idle Mind’ by Niall Scanlon Photography (via http://flic.kr/p/hgjocW )
Bitcoin is a digital currency, meaning it’s money controlled and stored entirely by computers spread across the internet, and this money is finding its way to more and more people and businesses around the world. But it’s much more than that, and many people — including the sharpest of internet pioneers as well as seasoned economists — are still struggling to come to terms with its many identities. With that in mind, we give you this: an idiot’s guide to bitcoin. And there’s no shame in reading. Nowadays, as bitcoin is just beginning to show what it’s capable of, we’re all neophytes.
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These intrusions took place in January/February of 2012 and affected over 2000 domains, including numerous foreign government websites in Brazil, Turkey, Syria, Puerto Rico, Colombia, Nigeria, Iran, Slovenia, Greece, Pakistan, and others. A few of the compromised websites that I recollect include the official website of the Governor of Puerto Rico, the Internal Affairs Division of the Military Police of Brazil, the Official Website of the Crown Prince of Kuwait, the Tax Department of Turkey, the Iranian Academic Center for Education and Cultural Research, the Polish Embassy in the UK, and the Ministry of Electricity of Iraq
Le compositeur Bernard Parmegiani, un des pères de la musique électroacoustique et ancien membre du Groupe de recherches musicales de l’Ina, est mort dans la nuit de jeudi à vendredi à 85 ans, a-t-on appris auprès de l’Ina. Bernard Parmegiani a composé 78 opus, 27 musiques de films, 14 musiques pour chorégraphies, 12 musiques de scène… dont «La création du monde» et «De natura sonorum.» Sa création la plus connue du grand public est le jingle de l’aéroport Roissy-Charles de Gaulle, utilisé de 1971 à 2005. «Le monde de la musique électroacoustique est en deuil avec la disparition d’une de ses figures emblématiques et un de ses pères fondateurs», a dit dans un communiqué le Pdg de l’Ina Mathieu Gallet. Il a exprimé sa «fierté» que l’institut ait «aidé à construire sa mémoire pour les générations futures» en publiant un coffret de 12 CD de ses oeuvres en 2008. «Son influence musicale a traversé plusieurs générations de mélomanes et de musiciens et il est aujourd’hui considéré comme l’un des pionniers et maître du genre électroacoustique», écrit-il
When sleep scientists turned to the study of dreams in the 1950s, few considered the notion of lucid dreaming to be more than a curiosity. It was the province of occultists and parapsychologists. Not until LaBerge produced the first evidence for lucid dreams, during graduate work at Stanford University in the 1970s, did the topic gain a modicum of scientific respectability.
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Rainbow Plane by STML (via http://flic.kr/p/hNr5KJ )
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Rainbow Plane by STML (via http://flic.kr/p/hKwPUW )
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