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A group of 23 impoverished west African fishing communities has driven off a fleet of illegal, unreported and unregulated “pirate” trawlers by filming and reporting them when they are found in their waters. In the 18 months since the London-based Environment Justice Foundation (EJF) raised the £50,000 needed to buy and equip a small seven-metre community surveillance boat for villages in the Sherbro river area of Sierra Leone, local fishers have filmed and identified 10 international trawlers working illegally in their protected waters and have made 252 separate reports of illegal fishing. Images of the pirate ships and their GPS positions are analysed to establish the identity of the vessels and the evidence is passed on to European Union (EU) and African governments, fishing ports and other communities. Nine of the 10 ships identified by the Sierra Leonean communities were found to have licences to export their catches to Europe.
http://www.guardian.co.uk/environment/2012/oct/11/west-africa-fishing-pirate-trawlers?intcmp=122
We present what we argue is the generic generalization of Conway’s “Game of Life” to a continuous domain. We describe the theoretical model and the explicit implementation on a computer.
I Ching Spherical by Michæl Paukner (via http://flic.kr/p/72MmRn )
Australians simply have an abysmal sense of history. And without it, with the wilful elision of the past and its present day consequences, the nation has a gnawing hole in its centre. There is an emptiness in the heart of this country. Terra Nullius remains in perpetuity, in the ignorance of the intelligentsia and in the pale, revisionist, self-congratulatory history.
Typically, serendipity isn’t something that’s thought to be alterable. The default place for it lies in the ‘dumb luck’ bucket. In my mind, as with most things, serendipity can be hacked. Actions that are taken can increase the likelihood of serendipitous encounters. […] So, how can we hack serendipity?
20121004 (via http://flic.kr/p/dgWaMr )
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Into your moan by Lumase (via http://flic.kr/p/ACtmT )
And seek the love of kind by Lumase (via http://flic.kr/p/2ifNwD )
Wasp-a-boo by Lumase (via http://flic.kr/p/6w4WcR )
Curiosity Camera
by Various.Artists (via http://flic.kr/p/ckkXy1 )
Dummies by the water 2a by joeeisner (via http://flic.kr/p/aDZdnp )
Consumed by the idea that these technological monuments will outlive us — and after years of discussion with scientists, philosophers, artists, and anthropologists — Paglen compiled a list of 100 images culled from human history and etched them onto an ultra-archival silicon disc. The disc was designed by materials scientists at MIT and Carleton College, and has now been affixed to a communications satellite, EchoStar XVI, whose launch was set for this month from the Baikanour Cosmodrome in Kazakhstan, but was delayed due to a rocket failure in August. The satellite – located at the 61.5 orbital location and containing 32 Ku-band transponders, to offer HD transmissions […] But its productive lifespan is a mere blip in the deep time of space compared to Paglen’s little golden disc, which will wait patiently, bearing its curated record of the human race, for unknowable millennia.
The Last Pictures Artifact (via http://www.galeriezander.com/de/artist/trevor_paglen/works)
In the decades to come, the phrase correlation does not imply causation made its way into textbooks and academic journals, while the social sciences were made over with newfangled statistics. By the 1940s, economists had devised a name for the insufficiency of correlations: They called it the “identification problem.” A flood of numbers in the postwar years may have made the anxiety more acute until its apotheosis in the present day, when Google, Amazon, and the other data juggernauts belch smoggy clouds of information and spit out correlations by the ton. “That may be as deep a sense of causation as they care about,” Porter says. “To them, perhaps, automated number-crunching stands for the highest form of knowledge that civilization has ever produced.” In that sense, the admonitory slogan about correlation and causation isn’t so much a comment posted on the Internet as a comment posted about the Internet. It’s a tiny fist raised in protest against Big Data.
They Watch the Moon (via http://www.lighthouse.org.uk/programme/trevor-paglen-geographies-of-seeing)
232_400x400.jpg (JPEG Image, 400×400 pixels) (via http://bernhardedmaier.reacore.net/media/cms/setcontent/232_400x400.jpg)
Wollensak Conley 13" Anastigmat test by Kye Lee (via http://flic.kr/p/aY2uQM )
by – karine (via http://flic.kr/p/6NkwXy )
[How It Ends] by uηderaglassbell (via http://flic.kr/p/dggsnE )
Polaroid / Self Portrait by Kye Lee (via http://flic.kr/p/4p7SDN )
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by sparth (via http://flic.kr/p/dg1ufm )
FROM GODLY INTERVENTIONS PROJECT by MONIKA BIELSKYTE (via http://flic.kr/p/5GsjVC )
FROM A PLACE TO WASH THE HEART CHAPTER 2 by MONIKA BIELSKYTE (via http://flic.kr/p/6yz67y )
CHAPTER 2 / A PLACE TO WASH THE HEART PROJECT by MONIKA BIELSKYTE (via http://flic.kr/p/7eCGT4 )
KYOKO KATSUNUMA IN THEATRE DE LA VILLE EDITORIAL FROM SOME/THINGS MAGAZINE ISSUE002 / THE BLACK BOOK by MONIKA BIELSKYTE (via http://flic.kr/p/7nuB3j )
Colour is surprisingly complex. How colour works is determined by the physics of light and materials, the biology of our eyes and brains, mixed with a bit of psychology.
http://devmag.org.za/2012/07/29/how-to-choose-colours-procedurally-algorithms/
Je voudrais pouvoir parler by Masakadu Makiyama (via http://flic.kr/p/dezhFq )
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敷地に勝手にテントを張っていたのだろうさ by Makiyamá (via http://flic.kr/p/ddXaHv )
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La sposa è impazzita (stampa rifotografica su pelle umana non conciata) by luca bertolotti (via http://flic.kr/p/aF6kn6 )
vecchio mondo by luca bertolotti (via http://flic.kr/p/9DiZop )
minivídeos: incubo 6 by nakadaska (via http://flic.kr/p/9DorVW )
Cnidaria by gurbir.grewal (via http://flic.kr/p/9DkPz1 )
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Simon Kenny (via http://butdoesitfloat.com/The-enchanting-charms-of-this-sublime-science-reveal-themselves-in)
Simon Kenny (via http://butdoesitfloat.com/The-enchanting-charms-of-this-sublime-science-reveal-themselves-in)
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What are the most resonant works of art from the recent past? From among the thousands of individual works that pass through galleries and museums, which have affected the conversation in some significant way? Amid all of contemporary art’s chaotic installations and ephemeral gestures, which images have some staying power? These are the questions that ARTINFO set out to answer with its list of “100 Most Iconic Artworks From the Last 5 Years.”
http://www.artinfo.com/news/story/826311/the–100-most-iconic-artworks-of-the-last–5-years
步凮 by Makiyamá (via http://flic.kr/p/bagHpv )
L1005224.jpg by thorstenovergaard (via http://flic.kr/p/9AnsJM )
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L1005120 (via http://flic.kr/p/dbS3Ru )
_MG_7289 by Plumage_Noir (via http://flic.kr/p/dbaC8K )
View from my doorstep by genmon (via http://flic.kr/p/d9UrqC )
Pollia condensata (via http://www.nature.com/news/cell-structure-gives-african-fruit-its-iridescent-hue-1.11379)
No.14 – Louise Despont (via http://www.dataisnature.com/?p=1625)
Follow the leaders by Isaac Cordal (via http://flic.kr/p/d4Ty1d )
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I Wayan Sudarsana Yansen
cafe by bunaism (via http://flic.kr/p/d8uqbj )
LanYang Museum by Colourful Life (Teresa) (via http://flic.kr/p/d8DQR3 )
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kill your television (via http://flic.kr/p/d7saib )
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20120902 (via http://flic.kr/p/d7sgiG )
@fadesingh: What if the Crusades never end. And Calligraphy is a cosmological challenge to the Large Hadron Collider. عجائب المخلوقات و غرائب الموجودات
woods1.gif (via http://spacecollective.org/rene/4708/The-universe-will-fly-like-a-bird)
Pigeons’ remarkable navigational feats have long been pegged to the birds’ ability to sense magnetic fields, but pinning down how they do so has frustrated scientists for years. Work published today in Science shows that individual cells seem to encode information on a magnetic field’s direction, intensity and polarity1. The work also suggests that these signals come from a part of the inner ear called the lagena, further complicating matters for researchers in the field.
http://www.nature.com/news/pigeons-may-hear-magnetic-fields–1.10540
I admire Ray Kurzweil’s advocacy of radical ideas. However, like so many scientists and tech mavens he has never been able to frame the essential humanistic components of his master plan in a compelling way. When you promote powerful notions of human transformation it obviously becomes important not to portray humanity as something that must be overcome. Therefore it would seem to be essential to include a Future Humanities department as part of the Singularity University’s curriculum.
http://spacecollective.org/rene/4708/The-universe-will-fly-like-a-bird
“Amidst all the attention given to the sciences as to how they can lead to the cure of all diseases and daily problems of mankind, I believe that the biggest breakthrough will be the realization that the arts, which are conventionally considered“useless,” will be recognized as the whole reason why we ever try to live longer or live more prosperously. The arts are the science of enjoying life.”
–John Maeda
Unexpected encounter, C-print, 150x210cm, 2006 (via http://www.lucieandsimon.com/works/earth_vision)
There are nine or so principles to work in a world like this: Resilience instead of strength, which means you want to yield and allow failure and you bounce back instead of trying to resist failure. You pull instead of push. That means you pull the resources from the network as you need them, as opposed to centrally stocking them and controlling them. You want to take risk instead of focusing on safety. You want to focus on the system instead of objects. You want to have good compasses not maps. You want to work on practice instead of theory. Because sometimes you don’t why it works, but what is important is that it is working, not that you have some theory around it. It disobedience instead of compliance. You don’t get a Nobel Prize for doing what you are told. Too much of school is about obedience, we should really be celebrating disobedience. It’s the crowd instead of experts. It’s a focus on learning instead of education.
Because we already know a great deal, we can move research from a step in the design process to an ongoing, agency-wide activity: we can adopt a distributed research model. This model would result in better, more focused work, allowing us to spend more of our energy on specific issues relevant to the project at hand. It would also help us meet deadlines, because we can capitalize on the experience of the designer and community while maintaining a good relationship with the client. In this essay, I’ll describe how research is built and distributed across teams, and how it can benefit all of us to focus on institutional knowledge.
3 Davyevansoil4 (via http://davyevans.co.uk/index.php?/project/2/)