XXXX Swatchbook shows the range of colours that can be achieved in handmade printing technique. But it also twists the idea of print by turning quick reproduction process into slow handmade process. It’s a book about a process, and with no less than six years in the making, the book itself is a process. It’s a catalogue of colour, a unique art book and an object of book art. The book documents 400 hand-stitched colour swatches in CMYK embroidery. The line screen in my book is incredibly low and ranges between 4 to 7 lines per inch (as opposed to 300 lpi in standard printing).
The book is made of
4 colours
16 elements
400 colour combinations
219.647 stitches
Autechre have created a unique and particular sonic universe, so it’s hard to say what’s best or most representative of their music, and you’ll probably get as many different answers as people you ask. so perhaps a suggested heuristic path…
(note this just covers their albums, so doesn’t include the various EPs. you can think of the EPs from each period as similar, yet distinct. if you find any particular album interesting chances are you’ll like the other material from around the same period)
(i left out the bit where you open a small door and find a Gescom)
Autechre have created a unique and particular sonic universe, so it’s hard to say what’s best or most representative of their music, and you’ll probably get as many different answers as people you ask. so perhaps a suggested heuristic path…
(note this just covers their albums, so doesn’t include the various EPs. you can think of the EPs from each period as similar, yet distinct. if you find any particular album interesting chances are you’ll like the other material from around the same period)
(i left out the bit where you open a small door and find a Gescom)
Saddam Hussein’s superyacht becomes marine research vessel
Saddam Hussein’s 82 metre superyacht Basrah Breeze is now being used by Iraqi marine researchers from the University of Basrah’s Marine Science Center. The scientists are using the yacht to explore the changing Persian Gulf. Built in 1981 by Danish shipyard Helsingor Vaerft for then president of Iraq Saddam Hussein, the luxury yacht was originally called the Qadissiyat Saddam. It cost $25 million to build but the yachts current captain, Hussein Ghazi Khalifa, said it would now it would cost four times that. The Basrah Breeze is not the first luxury yacht to be used for a different purpose and there is an increasing demand for expedition yachts among superyacht owners. With ocean conservation becoming more of a talking point, Fleet Miami have even offered the chance for guests to take part in a scientific learning experience while on charter.
“There was no revolution too be had on the internet. None at all. The idea that there ever was is false. A big fat lie.
Sure, we thought we saw revolutions start on here. We saw people come together to fight governments, stand up to bullies, bring attention to brutality, to show how corporations are stupid and greedy (we did quite a bit of that last one ourselves, if you remember, dear friends). We watched people fight for justice and against political correctness. We watched huge battles rage. And we thought they were exciting and important.
But we were wrong, we slowly realised. We realised those battles were just a spectacle, a distraction from what was really going on. Because those battles were taking place on a battlefield that didn’t matter. On a battlefield that had no way of making a difference. Because that’s a battlefield we don’t own, and never could. New battlefields built just to keep us occupied.
We used to think we could own it, that we were fighting to build communities for ourselves. That it was ours for the taking. To stake a claim for a place we could control and belong, a fight to make ‘safe spaces’ for ourselves. It was a noble thing to think, that we were fighting for our own spaces, but we were kidding ourselves. We never owned these spaces, we never could. They were never ours to own, never ours to control. Instead we watched our battles turn in to spectator sports, our revolutions turn in to infighting. We watched our new communities dissolve into civil wars. We watched our political activists and community leaders become celebrity brands, our tech-utopian visionaries bow to capital and shareholders.
Without knowing - although somehow always expecting it - we let ourselves become nothing more than the content between adverts. Our battles, our beliefs, our loves - nothing more than the filler before the next ad break. We fought battles that we didn’t need to fight - battles that ripped our solidarity apart and distracted us from the we causes we once believed in - just to create clicks and blinks and eyeballs for the advertising networks. We were nothing more than squatters in a space we wanted to believe we owned, paying our rent by giving ourselves away in the name of capital. Our revolution was a sideshow.
Well, not anymore friends. This has to stop. And it will.”
Between December 30, 2016, and February 9, 2017, at least three C.I.A. officers working under diplomatic cover in Cuba had reported troubling sensations that seemed to leave serious injuries. When the agency sent reinforcements to Havana, at least two of them were afflicted as well. All the victims described being bombarded by waves of pressure in their heads. Unlike Lee, though, the C.I.A. officers said that they heard loud sounds, similar to cicadas, which seemed to follow them from one room to another. But when they opened an outside door the sounds abruptly stopped. Some of the victims said that it felt as if they were standing in an invisible beam of energy.
the advent of the mass-produced graphite pencil in the second half of the 19th century coincided with profound changes in the way a performer engaged with a musical text. The generation of musicians who benefited from the new tool — capable of making durable, but erasable, markings that didn’t harm paper — were, he wrote, “the first where practice was aimed at perfection of execution, and not developing the skills for real-time extemporization on the material in front of them, or improvisation ‘off book.’” What changes does the new digital technology reflect or enable? Conversations with some of classical music’s most passionate advocates of the gadgets and with developers like forScore and Tonara that write applications for them reveal a number of developments. The traditional top-down structure of teaching has been shaken loose. The line between scholarly and practical spheres of influence is becoming blurred. And the very notion of a definitive text is quickly losing traction — and with it, the ideal of that “perfection of execution.”
“Inspired by Australian flora and fauna. It is nature digitized. Sounds recorded in nature have been run through computers and electronically manipulated. Computer generated 3D imagery swirls and contorts to the sounds creating semi-abstract interpretations of native plants.”
“Studying history has proved to me, over and over, that things used to be worse. That they are better now. Progress is real. That’s a consolation, but a hollow one while we’re still here facing the pain. What fills its hollowness, for me at least, is remembering that secret meeting in the Economics cafe, that hasty plan, diplomacy, quick action — not a second chance after the disaster, but a next chance. And a next. And a next, to take actions that really did achieve things, even if not everything. Human action combining with the flood is not powerlessness. And that’s how I think progress really works.”
Seventeen U.S. intelligence agencies agreed that Russia was behind several hacking incidents, including the infamous email breach of the Democratic National Committee last year that former presidential candidate Hillary Clinton blames for her electoral loss. Hacking, however, was only part of the equation. The use of social media bots to spread fake news was part of a larger disinformation campaign to help Trump get elected. But now that the United States’ election is over, where are they?
Some species of moths and bees have evolved to land on mammalian eyelids (including humans) and drink our tears. In times of relentless human tragedy and environmental catastrophe, are we creating the perfect conditions for these tear-drinking insects to flourish? What do these insects want from our tears anyways?
Until a few years ago, machine learning algorithms simply did not work very well on many meaningful tasks like recognizing objects or translation. Thus, when a machine learning algorithm failed to do the right thing, this was the rule, rather than the exception. Today, machine learning algorithms have advanced to the next stage of development: when presented with naturally occurring inputs, they can outperform humans. Machine learning has not yet reached true human-level performance, because when confronted by even a trivial adversary, most machine learning algorithms fail dramatically. In other words, we have reached the point where machine learning works, but may easily be broken.
Our foundation of Earth knowledge, largely derived from historically observed patterns, has been central to society’s progress. Early cultures kept track of nature’s ebb and flow, passing improved knowledge about hunting and agriculture to each new generation. Science has accelerated this learning process through advanced observation methods and pattern discovery techniques. These allow us to anticipate the future with a consistency unimaginable to our ancestors. But as Earth warms, our historical understanding will turn obsolete faster than we can replace it with new knowledge. Some patterns will change significantly; others will be largely unaffected, though it will be difficult to say what will change, by how much, and when.
After spending so much time researching CRISPR, I thought I’d save everyone else the time, write a summary of why I think it’s a big deal, and then curate some of the best content on the subject I found.
Report of the Annexation of Switzerland as a Border by the K.R.E.V KonungaRikena Elgaland-Vargaland, Zürich main station, 14.05.2016
With Adrian Notz, Leif Elggren, Carl Michael von Hausswolff, Dave Phillips as special guest and the people of Zürich and beyond.
The Nauru files set out as never before the assaults, sexual abuse, self-harm attempts, child abuse and living conditions endured by asylum seekers held by the Australian government, painting a picture of routine dysfunction and cruelty. The Guardian’s analysis of the files reveal that children are vastly over-represented in the reports. More than half of the 2,116 reports – a total of 1,086 incidents, or 51.3% – involve children, although children made up only about 18% of those in detention on Nauru during the time covered by the reports, May 2013 to October 2015. The findings come just weeks after the brutal treatment of young people in juvenile detention in the Northern Territory was exposed, leading to the Australian prime minister, Malcolm Turnbull, announcing a wide-ranging public inquiry. The files raise stark questions about how information is reported on Nauru, one of Australia’s two offshore detention centres for asylum seekers who arrive by boat. They highlight serious concerns about the ongoing risks to children and adults held on the island. They show how the Australian government has failed to respond to warning signs and reveal sexual assault allegations – many involving children – that have never been previously disclosed. The most damning evidence emerges from the words of the staff working in the detention centre themselves – the people who compile the reports. These caseworkers, guards, teachers and medical officers have been charged with caring for hundreds of asylum seekers on the island.
People playing the popular smartphone game Pokémon Go in Bosnia have been urged to avoid areas littered with unexploded mines left over from the 1990s conflict. “Today we received information that some users of the Pokémon Go app in Bosnia were going to places which are a risk for (unexploded) mines, in search of a pokemon,” the NGO Posavina bez mina said on its Facebook page. “Citizens are urged no to do so, to respect demarcation signs of dangerous mine fields and not to go into unknown areas,” it added. The new mobile app, which is based on a 1990s Nintendo game, has created a global frenzy as players roam the real world looking for cartoon characters.
A group of Australian scientists claim they have pulled off a world first by reviving the yeast of a 220-year-old beer salvaged from a shipwreck. A detailed DNA analysis of the yeasts was undertaken to find out if the yeasts were present because of contamination. The brewer’s yeast brettanomyces was found. It is not used in modern commercial brewing, but was used everywhere in old-style brewing. Also present was the brewer’s yeast Saccharomyces, but not like it had ever been seen before. The yeast was a hybrid that sat closest on the family tree to Trappist ale, made by monks in Belgium.
“When we pass by landscapes they appear fixed in time, but they change around us constantly. The idea behind this film is to reveal this change by returning to the same camera positions over the years.”
As much as my Wired archive is a document of its era’s aspirations, it’s also a record of what people once hoped technology would be—and, in hindsight, a record of what it might have become. In early Wired, a piece about a five-hundred-thousand-dollar luxury “Superboat” would be followed by a full-page editorial urging readers to contact their legislators to condemn wiretapping (in this case, 1994’s Digital Telephony Bill). Stories of tech-enabled social change and New Economy capitalism weren’t in competition; they coexisted and played off one another. In 2016, some of my colleagues and I have E.F.F. stickers on our company-supplied MacBooks—“I do not consent to the search of this device,” we broadcast to our co-workers—but dissent is no longer an integral part of the industry’s ethos.
Last week entrepreneur Amanda Chantal Bacon was in the news for her unbelievable lifestyle. She sells something at Urban Outfitters called “Moon Juice Brain Dust.” The product is described thusly: “Moon Juice Brain Dust is an adaptogenic potion that lights up your brain and increases mental flow by feeding neurotransmitters and brain tissue. Neuron velocity and vision are fine tuned by toning the brain waves, in particular the alpha waves that connect to creativity.”
