Posts tagged 2019

“A mind of limits, a camera of thoughts” is the name of this contribution from citizen scientist Prateek Sarpal. Jupiter…

jupiter, junocam, NASA, 2019

“A mind of limits, a camera of thoughts” is the name of this contribution from citizen scientist Prateek Sarpal. Jupiter inspires artists and scientists with its beauty. In this image, south is up, and the enhanced color evokes an exotic marble and childhood joy.

The original image was captured by JunoCam, the camera on NASA’s Juno mission in orbit around Jupiter. This image was taken on Juno’s 22nd close pass by Jupiter on Sept. 12, 2019.

Games with Tracery

NaNoGenMo, tracery, 2019

procedural-generation:

galaxykate0:

Someone online asked if there was a guide to integrating Tracery with games, so I wrote one.

Tracery is named for the architectural term “tracery”, the curly filigree part of gothic cathedrals. Tracery doesn’t hold up the cathedrals: it’s decorative not structural. If you find yourself trying to do very complex data storage and conditionals with Tracery, you might be trying to build a cathedral with filigree. It is best to use your game code (javascript or Unity, or whatever else you use) itself to perform complex tasks like these. Tracery is best for adding decoration afterwards. But there are some good techniques for adding Tracery to games that I’ve encountered.

Common uses of Tracery

Games often have abstract rule systems at their core (see Joris Dormans work on modelling games abstractly http://www.jorisdormans.nl/machinations/). But even for games with identical rule systems, content can create flavor and feelings that go far beyond the meaning of rule systems. Ladykiller in a Bind and Hatoful Boyfriend may have very similar mechanical systems driving them, but what wonderfully different experiences we get from their unique content! From flavortext on Magic: the Gathering cards to story arcs and dialogues of dating sims, or the sprawling poetry of Twine games, content can serve many purposes in a game.

Tracery, and other grammar-based templating languages, are already popular in games to create new content. Dietrich Squinkifer uses it in Interruption Junction for an endless stream of dialogue and in Mr. Darcy’s Dance Challenge uses it for endless insults from Mr. Darcy. Pippin Barr uses it to generate thoughtful frowns and headscratches in It is as if you were playing chess.

Beyond Tracery, there are other templating languages, and many game developers have built their own. Zach Johnson, the creator of Kingdom of Loathing invented a templating language to create game content like combat text and hobo-names (https://youtu.e/X3sqkxedSHQ?t=4m6s). Even the original 1966 ELIZA chatbot used templating in its dialogue generator.

Basic Tracery content in a game

These basic content creation tasks are easy for Tracery! Create a grammar “rpgGrammar” (or several, like “weaponGrammar”, “innNameGrammar” etc if you don’t want to share content between grammars) with your writing. Then call

rpgGrammar.flatten("#innName#") or rpgGrammar.flatten("#NPCName#") or rpgGrammar.flatten("#armorDescription#") or rpgGrammar.flatten("#combatSound#")

to generate whatver content you’ve authored.

Generating parseable data

You may find that you want to generate more complex stuff with a single query, such as generating a sword name and a related description like “General Greenblat’s Blade” “a sword found by General Greenblat while searching for her lost puppy”. In that case, you might have a grammar like

"swordWord": ["blade", "edge", "sword"],

"bowWord": ["aim", "bow", "longbow"],

// This picks out whether we are generating a bow or a sword "setWeaponType": ["[weaponClass:sword][weaponNameType:#swordWord#]","[weaponClass:bow][weaponNameType:#bowWord#]"]

"generateWeaponData": "[character:#name#]#setWeaponType##weaponType# | #character#'s #weaponNameType#" | #character# found this #weaponType# when #doingSomeTask#"]

Expanding “#generateWeaponData#” would generate some data separated by “|” symbols, which you could then split apart with Javascript and use separately in your game.

Generating tagged data

I’ve been working on a hipster chef game, HipChef (for waaayyyy too long). It’s been an exercise in figuring out good tagging practices for using Tracery text in a game while also getting meaning out of that text.

For example, here is a sample of my grammar for generating recipes:

largeFruit : ["kumquat<citrus>", "honeydew<melon>", "bittermelon<melon>", "cherimoya", "peach", "sugar apple", "persimmon", "green apple", "jackfruit", "damson plum", "kiwi", "lime<citrus>", "key lime<citrus>", "meyer lemon<citrus>", "pomegranate", "green apple", "pineapple", "mandarin orange<citrus>", "blood orange<citrus>", "plum", "bosque pear", "fig", "persimmon", "durian", "mango", "lychee"],

preparedMeat : ["duck fat<fowl><game>", "roast duck<fowl><game>", "crispy bacon<pork>", "pancetta<pork>", "salami<pork>", "prosciutto<pork>", "corned beef", "pastrami<beef>", "roast game hen<fowl>", "seared ahi<fish>"],

herb : ["fennel", "cilantro", "mint", "basil", "thyme", "Thai basil", "oregano", "peppermint", "spearmint", "rosemary"],

spice : ["vanilla", "nutmeg", "allspice", "turmeric", "cardamom", "saffron", "cinnamon", "chili powder", "cayenne", "coriander", "black pepper", "white pepper", "ginger", "za’atar"],

"artisanToast": "#bread# with #spice#-spiced #largeFruit# and #meat#"

This might generate some fancy toast descriptions, but in the game, I want to know the game-significant ingredients of this toast. If it has pork and fennel, which are trendy at the moment it scores higher, but if it has duck and melon, which are not, the score is lower. I can search for some ingredients, like “pineapple” by name, but others, like “mint” might be ambiguous. Other queries, like “fowl” or “herb” would need to match many rules.

The fastest way to do this, for me, is to hand-embed these tags inside the content, like kumquat<citrus>. For some content, like herbs and spices, I want to tag all the rules with a single tag. That sounded like work, so I wrote a bit of utility code function autotag(grammar, key, tags) which automatically appends the given tags to all the rules for that key.

Now when the toast generates, it outputs a string like “Ciabatta with turmeric -sprinkled honeydew and roast duck ”. I can strip these tags out with JavaScript, and get and array “spice,melon,fowl,game” (which the game’s rules can use) and a string “Ciabatta with turmeric-sprinkled honeydew and rost duck” which I can display to the player.

You can generate any structure of data this way, even JSON (which you can then use JS’s JSON parser to unpack automatically). In fact, the SVG graphics made with Tracery are an example of this: Tracery generates specially structured text, which a web-page can interpret as image-making commands. But SVG and JSON parsers are just two ways to computationally parse text, you can write your own, as I did with HipChef.

Using world state in Tracery

Your game almost certainly has some world state. For an RPG, this might include the player’s occupation and race, their weapon, their health, a list of skills. Like many games, you might also have a custom name for the player. To use the name in Tracery, you can edit the raw grammar before you use it in Tracery or you can edit the grammar on the fly by pushing new rules to the grammar. This is what Tracery does when you use “[myName:#name#]” in a grammar, but now you’re doing it whenever you want, with whatever data you want.

mygrammar.pushRules(playerName, ["Bobo the Love Clown"]);

mygrammar.pushRules(playerHometown, ["Scranton, NJ"]);

mygrammar.expand("#playerName# left #playerHometown# on an adventure");

A Note: the newest in-progress version of Tracery allows you to pass a world-object to Tracery along with a grammar, so you no longer have to manually update “playerMood”, etc, each time the player’s mood changes and you want to use it in a piece of generated text. But I don’t have an ETA for that.

Seeds: turning commodities into individuals

You’d often want to generate the same content many times in a game. For example, in a text-version of a space game that can generate trillions of planets for you to visit (cough) you might not want to save all the generated tree descriptions, plant descriptions, alien city names, etc. But, if you use some fixed number to set the random seed, you can be certain that Tracery will make the same sequence of “random” choices when picking rules. This will generate the same content, as long as you ask for the content in the same order once you set the seed. For Javascript, I use David Bau’s excellent fix. Conveniently, this requires no changes to Tracery, it just modifies JS’s random number generator.

This is especially fun if you have some huge number represting an in-game commodity, like the population of your city. You can use the index as your seed: “look at citizen #31992” will set the seed to “31992” and each time, the citizen will be “Margarie Tomlinson, age 45, afraid of spiders”.

Further

This may not be as much as your game needs. You may want internal conditionals controlling the grammar’s expansion, or more direct tagging control, such as “give me a conversation tagged ‘aggressive’ and ‘evasive’”. James Ryan’s Expressionist work can do tag-directed generation management to satisfy constraints, and I’ve heard Emily Short is working on something Tracery-like with tags.

I’m also working to include tags and conditionals in the new Tracery, but we’ll see when that ships. Until then, you may get mileage out of the techniques above.

Using Tracery In Larger Systems

Well, this write-up would have come in handy for NaNoGenMo!

I used some variants of a couple of these for my NaNoGenMo project. For my island description generator, I had rules with tags like:

“<+feature do_not_repeat></+><+feature size=small></+>There were two islands there. The distance from one to the other was about one mile. The small island <feature cliffs>rose very abruptly</+> many hundred feet above the sea. At the top was <+feature landmark>a rock with a conical form, which eternally seems on the point of rolling down with a tremendous crash into the sea</+>. The other island was larger, if less remarkable.”

and

“The #inhabitants# use #a_kind_of# <+feature condiment>#condiment#</+> in their cooking.“ 

This produced descriptions like:

They saw The Blue Violet Isle of Eurynome directly ahead, rising like a deep blue cloud out of the sea.

It is a very flat place, made up of several low-lying coral atolls.

The pirates were eager to hunt the mole, which they had great expectations for. Whenever they visit this island, sailors will conduct a kind of ritual, which they claim symbolizes deceit. Around the principle harbor, there were a great many papercrete buildings, forming a small town.

The cuisine of that island is known for something that resembles fresh dijon ketchup.

And the text generator had an additional constraint of only allowing new sentences to be added if they matched the already chosen tags. (Some were complementary, while others were mutually exclusive.) The tags surrounded bits of the text, which were added to the information about the island, so a landmark or kind of cuisine could be referred to by other generators.

Like the character description generator:

“Gull” Sao’s favorite food is fresh dijon ketchup from The Blue Violet Isle of Eurynome. She was dressed in a rusty black suit and wore seafoam green yarn stockings and shoes with brass buckles. She wore a red sash tied around her waist, and, as she pushed back her coat, you might glimpse the glitter of a pistol butt.

Having written this stuff once, I immediately see ways in which Kate’s suggestions above would have improved things. I look forward to other people finding new and better ways to apply Tracery to generating more things.

…our nervous systems, our realities, and the evolving forms of media that inevitably insert themselves between the two. A…

negativland, destroying anything, cutup, social media, post truth, true, false, 2019

video link

…our nervous systems, our realities, and the evolving forms of media that inevitably insert themselves between the two. A series of seemingly random topics are slowly woven together: shootings, bees, the right’s rules for radicals, climate control, dogs pretending to be children, the oil we eat, and the right of every American to believe whatever they want to believe — your brain’s ear lets nothing remain entirely random. It’s not the content, it’s the edit that shows us what we all know to be true, and it’s the things that one is most tempted to enjoy as harmless entertainment that often turn out to be living animals. Splicing together Occupy mic checks with US militia rallies, FOX news hosts with ecoterrorists, and your own sanity with the home viewing habits of Negativland’s lead vocalist, the Weatherman, when you put the word True next to the word False, a broader reality reveals itself.

(via https://www.negativland.com/news/ )

And so while it may seem strange and even naïve to look to mythology for tools to understand the earth’s six mass extinctions,…

Adam Nocek, mythology, extinction, ambiguity, philosophy, 2019

“And so while it may seem strange and even naïve to look to mythology for tools to understand the earth’s six mass extinctions, we think that in an era dominated by technocratic solutionism (which leaves little room for paradox, ambiguity, and non-modern ways of relating to the world) it is naïve to think that we could rely on the styles of thought and reasoning that brought about the problem in the first place. In this way our project, as well as our work as a collective, calls upon humans to harness the powers of mythical fabulation in order to address our relation to an earth future that we will bring into being (it is a product of human design), but which completely escapes our human capacities for understanding.”

Adam Nocek 

Where Are They?

poetry, life, questions, fermi paradox, wikipedia, found poetry, list, 2019

  7.1 Extraterrestrial life is rare or non-existent
  7.2 No other intelligent species have arisen
  7.3 Intelligent alien species lack advanced technology
  7.4 Water world hypothesis<br/>  7.5 It is the nature of intelligent life to destroy itself
  7.6 It is the nature of intelligent life to destroy others
  7.7 Periodic extinction by natural events
  7.8 Intelligent civilizations are too far apart in space or time
  7.9 Lack of resources to spread physically throughout the galaxy
  7.10 Lack of desire to live on planets
  7.11 It is cheaper to transfer information for exploration
  7.12 Human beings have not existed long enough
  7.13 We are not listening properly
  7.14 Civilizations broadcast detectable radio signals only for a brief period of time
  7.15 They tend to isolate themselves
  7.16 Colonization is not the norm
  7.17 Outcomes between all and nothing
  7.18 They are too alien
  7.19 Everyone is listening but no one is transmitting
  7.20 Earth is deliberately not contacted
  7.21 Earth is purposely isolated (planetarium hypothesis)
  7.22 It is dangerous to communicate
  7.23 They are here unacknowledged

( Found poetry via Fermi’s Paradox and WIkipedia)

To celebrate halloween we trained a net that creates endless vignettes about murdering humans, torture, necrophilia—kinda funny…

dadabots, death, extinction, cannibal corpse, RNN, BigGAN, AI, death metal, livestream, 2019

video link

To celebrate halloween we trained a net that creates endless vignettes about murdering humans, torture, necrophilia—kinda funny and campy like Evil Dead—using one of the greatest datasets ever— cannibal corpse lyrics

😵🗡️🤖🔪😵🗡️🤖

Neural network generating death metal, via livestream 24/7.

Audio / lyrics / visuals are all generative.

Powered by DADABOTS http://dadabots.com 


🤖Audio generated with modified SampleRNN trained on Cannibal Corpse
🤖Lyrics generated with pretrained 117M GPT2 fine-tuned on Cannibal Corpse
🤖Meat images generated with BigGAN interpolations in the #butchershop latent space
🤖You can generate all kinds of gross stuff on artbreeder https://artbreeder.com/i?k=ff84821d51…
🤖Vocals separated using Wave-U-Net (yup it separates death growls)
🤖Read more about our scientific research into eliminating humans from music https://arxiv.org/abs/1811.06633

Gen — programming & modelling langage

programming, GEN, AI, probability, modeling, graphics, statistics, ML, 2019

Probabilistic modeling and inference are core tools in diverse fields including statistics, machine learning, computer vision, cognitive science, robotics, natural language processing, and artificial intelligence. To meet the functional requirements of applications, practitioners use a broad range of modeling techniques and approximate inference algorithms. However, implementing inference algorithms is often difficult and error prone. Gen simplifies the use of probabilistic modeling and inference, by providing modeling languages in which users express models, and high-level programming constructs that automate aspects of inference. Like some probabilistic programming research languages, Gen includes universal modeling languages that can represent any model, including models with stochastic structure, discrete and continuous random variables, and simulators. However, Gen is distinguished by the flexibility that it affords to users for customizing their inference algorithm. It is possible to use built-in algorithms that require only a couple lines of code, as well as develop custom algorithms that are more able to meet scalability and efficiency requirements. Gen’s flexible modeling and inference programming capabilities unify symbolic, neural, probabilistic, and simulation-based approaches to modeling and inference, including causal modeling, symbolic programming, deep learning, hierarchical Bayesiam modeling, graphics and physics engines, and planningand reinforcement learning.

via https://probcomp.github.io/Gen/

German far-right group ‘used police data to compile death list’

germany, far-right, neo-nazi, police, Nordkreuz, terrorism, fifth-column, 2017, 2019

A group of German rightwing extremists compiled a “death list” of leftwing and pro-refugee targets by accessing police records, then stockpiled weapons and ordered body bags and quicklime to kill and dispose of their victims, German media have reported, citing intelligence sources. Germany’s general prosecutor had been investigating Nordkreuz (Northern Cross) since August 2017 on the suspicion the group was preparing a terrorist attack.

via https://www.theguardian.com/world/2019/jun/28/german-far-right-group-used-police-data-to-compile-death-list

The market is betting on climate change

VOX, CEPR, climate, economics, markets, IPCC, CME, futures, derivatives, 2019

Understanding beliefs about climate change is important, but most of the measures used in the literature are unreliable. Instead, this column uses prices of financial products whose payouts are tied to future weather outcomes in the US. These market expectations correlate well with climate model outputs between 2002 and 2018 and observed weather data across eight US cities, and show significant warming trends. When money is at stake, agents are accurately anticipating warming trends in line with the scientific consensus of climate models.

via https://voxeu.org/article/market-betting-climate-change

The Cypherpunks Tapping Bitcoin via Ham Radio

Wired, cryptography, cypherpunk, cryptocurrency, BTC, Ham, AZ, Brian-Goss, 2019

Every six hours, at his home in the high desert outside Kingman, Arizona, midway between Phoenix and Las Vegas, Brian Goss downloads the latest blocks from the bitcoin blockchain via satellite. He receives the transmission through a dish he installed this January; it arrives with messages, too—tweets, blogs, odes to Satoshi—sent by bitcoiners around the world. Goss rebroadcasts them from a radio device perched on his roof, in case the neighbors care to tune in. There’s nothing wrong with Goss’ terrestrial internet connection, he assures me—Kingman is not that remote. But if bitcoin is truly digital gold, as he believes, contingencies are important. If the internet goes down, how else will you access your cache?

via https://www.wired.com/story/cypherpunks-bitcoin-ham-radio/

眼の前に映像が浮かび上がる! サイバーパンク感あふれる「3Dホログラムヘルメット」!  Hiro.M  “full of cyber punk feeling!” Tech Ninja. Haha (x_x)⚔️ GIWOX 2019 3D…

cyberpunk, Hiro.M, 2019, matsuura hirofumi, light, animation

video link

眼の前に映像が浮かび上がる!
サイバーパンク感あふれる「3Dホログラムヘルメット」!

 Hiro.M  “full of cyber punk feeling!” Tech Ninja. Haha (x_x)⚔️

GIWOX 2019 3D Hologram Projector Fan

(via https://www.instagram.com/matsuurahirofumi/ )

"It was previously thought only tropical pitcher plants ate vertebrates. However, in the new paper published in the journal…

botany, carnivorous-plants, ecology, Sarracenia, CA, Algonquin, 2019

Salamanders as rich prey for carnivorous plants in a nutrient‐poor northern bog ecosystem

“It was previously thought only tropical pitcher plants ate vertebrates. However, in the new paper published in the journal Ecology, biologists at the University of Guelph in Ontario describe finding Sarracenia pitcher plants in Algonquin Provincial Park that devour vertebrates, specifically salamanders.”

via https://esajournals.onlinelibrary.wiley.com/doi/abs/10.1002/ecy.2770

Fraser Anning candidate who is robot sex expert given Queen’s birthday honour

Adrian-Cheok, sexbot, politics, AU, AM, order-of-australia, far-right, 2019, monarchism, fascism

A professor who advocates for sex with robots and ran as a candidate for Fraser Anning’s far-right micro-party at the May election, has been awarded a Queen’s birthday honour. Adrian Cheok was made a member of the Order of Australia for “significant service to international education”. Cheok initially joined the Palmer United party but quit to join Fraser Anning’s Conservative National party after he was told to “dumb down” his policies.

via https://www.theguardian.com/australia-news/2019/jun/11/fraser-anning-candidate-given-queens-birthday-honour

Ultimate limit of human endurance found

endurance, energy, exercise, food, digestion, limits, BBC, Pontzer, 2019

The ultimate limit of human endurance has been worked out by scientists analysing a 3,000 mile run, the Tour de France and other elite events. They showed the cap was 2.5 times the body’s resting metabolic rate, or 4,000 calories a day for an average person. Anything higher than that was not sustainable in the long term. The research, by Duke University, also showed pregnant women were endurance specialists, living at nearly the limit of what the human body can cope with. The study started with the Race Across the USA in which athletes ran 3,080 miles from California to Washington DC in 140 days. The study found a pattern between the length of a sporting event and energy expenditure - the longer the event, the harder it is to burn through the calories. So people can go far beyond their base metabolic rate while doing a short bout of exercise, it becomes unsustainable in the long term. The study also shows that while running a marathon may be beyond many, it is nowhere near the limit of human endurance. Marathon (just the one) runners used 15.6 times their resting metabolic rate. Cyclists during the 23 days of the Tour de France used 4.9 times their resting metabolic rate. A 95-day Antarctic trekker used 3.5 times the resting metabolic rate. During pregnancy, women’s energy use peaks at 2.2 times their resting metabolic rate. “You can do really intense stuff for a couple of days, but if you want to last longer then you have to dial it back,” Dr Herman Pontzer, from Duke University, told BBC News. “Every data point, for every event, is all mapped onto this beautifully crisp barrier of human endurance. "Nobody we know of has ever pushed through it.” The researchers argue the 2.5 figure may be down to the human digestive system, rather than anything to do with the heart, lungs or muscles. They found the body cannot digest, absorb and process enough calories and nutrients to sustain a higher level of energy use. The body can use up its own resources burning through fat or muscle mass - which can be recovered afterwards - in shorter events. But in extreme events - at the limits of human exhaustion - the body has to balance its energy use, the researchers argue.

via https://www.bbc.com/news/health–48527798

Australian musicians band together to invest in solar farms

energy, music, environment, art, climate-change, solar, 2019, FEAT, Guardian

In the spring of 2017, immediately after the release of the Australian band Cloud Control’s third album, Zone, the band’s keyboard player, Heidi Lenffer, was contemplating what their upcoming tour would cost. But this time she wasn’t just thinking about the money; she was thinking about emissions. Independent bands are used to running on a shoestring budget – a carbon-conscious Lenffer wanted Cloud Control to run a more environmentally efficient operation, too. She began asking climate scientists in the field, and connected with Dr Chris Dey from Areté Sustainability. Dey crunched the numbers for Cloud Control’s two-week tour, playing 15 clubs and theatres from Byron Bay to Perth. He found that it would produce about 28 tonnes of emissions – roughly equivalent to what an average household produces in a year. And that was just the national leg of an album tour that would take the band to the US three times. “I had suspected that all of this flying, and all of the energy that goes into tours, can’t be very good for the environment – but there was no solution that existed beyond carbon offsetting,” Lenffer says. Offsetting is essentially an attempt at equalisation: when you offset your flights, you try to compensate for the carbon by donating to a program to suck it out of the atmosphere, via tree planting or sequestration someplace else. Lenffer wanted to aim higher. Partnering with the superannuation fund Future Super, and the developer Impact Investment Group, Lenffer has established FEAT. (Future Energy Artists): a platform that officially launches on Wednesday and will allow musicians to build and invest in their own solar farms.

via https://www.theguardian.com/environment/2019/jun/04/theres-no-reason-why-this-couldnt-go-global-australian-music-industry-invests-in-solar-farms

Working Group on the ‘Anthropocene’

AWG, Stratigraphy, Anthropocene, Geology, time, 2019

Following guidance from the Subcommission on Quaternary Stratigraphy and the International Commission on Stratigraphy, the AWG have completed a binding vote to affirm some of the key questions that were voted on and agreed at the IGC Cape Town meeting in 2016. The details are as follows:

No. of potential voting members: 34 No. required to be quorate (60%): 21 No. of votes received: 33 (97% of voting membership)

Q1. Should the Anthropocene be treated as a formal chrono-stratigraphic unit defined by a GSSP?

29 voted in favour (88% of votes cast); 4 voted against; no abstentions

Q2. Should the primary guide for the base of the Anthropocene be one of the stratigraphic signals around the mid-twentieth century of the Common Era?

29 voted in favour (88% of votes cast); 4 voted against; no abstentions

Both votes exceed the 60% supermajority of cast votes required to be agreed by the Anthropocene Working Group as the official stance of the group and will guide their subsequent analysis.

The ‘Anthropocene’ has developed a range of meanings among vastly different scholarly communities. Here we examine the Anthropocene as a geological time (chronostratigraphic) unit and potential addition to the Geological Time Scale, consistent with Crutzen and Stoermer’s original proposal. The Anthropocene Working Group (AWG) is charged with this task as a component body of the Subcommission on Quaternary Stratigraphy (SQS) which is itself a constituent body of the International Commission on Stratigraphy (ICS).


via https://mronline.org/2019/05/24/working-group-on-the-anthropocene/

“how the terms ‘mind’ and ‘matter’ are abstractions which in their concreteness are identical”…

spectral, climate change, video, FoAM, panpsychism, animism, hauntology, resonance, spectres in change, 2019, Peter Sjöstedt-H

video link

“how the terms ‘mind’ and ‘matter’ are abstractions which in their concreteness are identical”

                                      [ video and soundtrack ]

Instead, the stories could become worlds inhabited by things that keep slipping beyond our grasp. Things which lurk at the back of our mind, on the tip of our tongue, just out of reach. Stories with protagonists that can only be known as gaps in being. The spaces they leave. Not here and not quite there yet. Dwelling on the peripheries of the sensible, speaking in glimmers, shimmers, suggestions.

These stories may not even have words. They might be felt rather than told. In sound, scent, touch and light. The stories might be experienced at the limits of the visible spectrum, pulsing at ultraviolet or infrared frequencies. They might inhabit the radio spectrum or create divergencies across the spectrum of acceptable behaviours. Spectral stories, stories of cosmic spectra and planetary spectres. The folk tales of unquiet matter.

“I have sought to show how the terms ‘mind’ and 'matter’ are abstractions which in their concreteness are identical”
—Peter Sjöstedt-H

Recorded and composed in the Sonoran Desert, Seili, the Kii peninsula, Istria, Helsinki, Brussels and Elsewhere during 02018 and 02019 by Maja Kuzmanovic and Nik Gaffney

What lies beneath: Robert Macfarlane travels ‘Underland’

Underland, Robert-Macfarlane, Anthropocene, unburial, climate-change, history, melt, guardian, 2019

Spring bulbs push themselves up into flower far earlier than a century ago. Last August’s heatwave in Britain caused the imprints of long-vanished structures – iron age burial barrows, Neolithic ritual monuments – to shimmer into view as parch marks visible from the air: aridity as x-ray, a drone’s-eye-view back in time. The same month, water levels in the River Elbe dropped so far that “hunger stones” were revealed – carved boulders used since the 1400s to commemorate droughts and warn of their consequences. One of the stones bears the inscription “Wenn du mich siehst, dann weine” (If you see me, weep). In northern Greenland, an American cold war missile base – sealed under the ice 50 years ago with the presumption that snow accumulation would entomb it for ever, and containing huge volumes of toxic chemicals – has begun to move towards the light. This January, polar scientists discovered a gigantic melt cavity – two-thirds the area of Manhattan and up to 300 metres high – growing under the Thwaites glacier in west Antarctica. Thwaites is immense. Its calving face is the juggernaut heading towards us. It holds enough ice to raise ocean levels by more than two feet, and its melt patterns are already responsible for around 4% of global sea-level rise. These Anthropocene unburials, as I have come to think of them, are proliferating around the world. Forces, objects and substances thought safely confined to the underworld are declaring themselves above ground with powerful consequences. It is easy to aestheticise such events, curating them into a Wunderkammer of weirdness. But they are not curios – they are horror shows. Nor are they portents of what is to come – they are the uncanny signs of a crisis that is already here, accelerating around us and experienced most severely by the most vulnerable. These unburials also disrupt simple notions of Earth history as orderly in sequence, with the deepest down being the furthest back. Epochs and periods are mixing and entangling. Our burning of the liquefied remains of carboniferous forests melts glacial ice that fell as snow in the Pleistocene, raising sea levels for a future Anthropocene. Both time and place are undergoing what Amitav Ghosh has called “the great derangement”, torqued into new forms by the scales and speeds of anthropogenic change at a planetary level. “The problem,” writes the archaeologist Þóra Pétursdóttir, “is not that things become buried far down in strata – but that they endure, outlive us, and come back at us with a force we didn’t realise they had, a dark force of ‘sleeping giants’,” roused from their deep-time slumber.

via https://www.theguardian.com/books/2019/apr/20/what-lies-beneath-robert-macfarlane

Ancient ritual bundle contained multiple psychotropic plants

anthropology, shamanism, psychoactives, fox-snout-pouch, 1000, 2019, spectrometry, chromatography

The researchers identified the presence of multiple psychoactive compounds—cocaine, benzoylecgonine (the primary metabolite of cocaine), harmine, bufotenin, dimethyltryptamine (DMT) and possibly psilocin (a compound found in some mushrooms)—from at least three different plant species (likely Erythroxylum coca, a species of Anadenanthera and Banistesteriopsis caani). According to Capriles, the fox-snout pouch likely belonged to a shaman. “Shamans were ritual specialists who had knowledge of plants and how to use them as mechanisms to engage with supernatural beings, including venerated ancestors who were thought to exist in other realms,” said Capriles. “It is possible that the shaman who owned this pouch consumed multiple different plants simultaneously to produce different effects or extend his or her hallucinations.’”

via https://phys.org/news/2019–05-ancient-ritual-bundle-multiple-psychotropic.html

Human society under urgent threat from loss of Earth’s natural life

Guardian, biodiversity, climate, environment, extinction, IPBES, UN, 2019, IPBES7

Human society is in jeopardy from the accelerating decline of the Earth’s natural life-support systems, the world’s leading scientists have warned, as they announced the results of the most thorough planetary health check ever undertaken. From coral reefs flickering out beneath the oceans to rainforests desiccating into savannahs, nature is being destroyed at a rate tens to hundreds of times higher than the average over the past 10m years, according to the UN global assessment report. The biomass of wild mammals has fallen by 82%, natural ecosystems have lost about half their area and a million species are at risk of extinction – all largely as a result of human actions, said the study, compiled over three years by more than 450 scientists and diplomats.

via https://www.theguardian.com/environment/2019/may/06/human-society-under-urgent-threat-loss-earth-natural-life-un-report

Nature’s Dangerous Decline ‘Unprecedented’; Species Extinction Rates ‘Accelerating’

ecology, climate, biodiversity, extinction, IPBES, IPBES7, UN, 2019

Nature is declining globally at rates unprecedented in human history — and the rate of species extinctions is accelerating, with grave impacts on people around the world now likely, warns a landmark new report from the Intergovernmental Science-Policy Platform on Biodiversity and Ecosystem Services (IPBES) “The Report also tells us that it is not too late to make a difference, but only if we start now at every level from local to global,” he said. “Through ‘transformative change’, nature can still be conserved, restored and used sustainably – this is also key to meeting most other global goals. By transformative change, we mean a fundamental, system-wide reorganization across technological, economic and social factors, including paradigms, goals and values.” “The member States of IPBES Plenary have now acknowledged that, by its very nature, transformative change can expect opposition from those with interests vested in the status quo, but also that such opposition can be overcome for the broader public good,” Watson said. The IPBES Global Assessment Report on Biodiversity and Ecosystem Services is the most comprehensive ever completed. It is the first intergovernmental Report of its kind and builds on the landmark Millennium Ecosystem Assessment of 2005, introducing innovative ways of evaluating evidence. Compiled by 145 expert authors from 50 countries over the past three years, with inputs from another 310 contributing authors, the Report assesses changes over the past five decades, providing a comprehensive picture of the relationship between economic development pathways and their impacts on nature. It also offers a range of possible scenarios for the coming decades. Based on the systematic review of about 15,000 scientific and government sources, the Report also draws (for the first time ever at this scale) on indigenous and local knowledge, particularly addressing issues relevant to Indigenous Peoples and Local Communities.

via https://www.ipbes.net/news/Media-Release-Global-Assessment

“I envisioned an AR app that augments the city-scape to be more environmentally friendly, specially with more biophillia ,…

RTM, AI, AR, glitch, biophilia, Chris Harris, urban deletion, reality tunnel management, car free, 2019

video link

“I envisioned an AR app that augments the city-scape to be more environmentally friendly, specially with more biophillia , while still allowing safe navigation. e.g. Replacing cars with something less obnoxious, perhaps a flowing river, perhaps a flock of birds. Originally I dismissed this idea, thinking it would not actually contribute to the overall good of the physical world we do inhabit.“ —Chris Harris

Mitigation of Shock - Superflux

superflux, MOS, Mitigation-of-Shock, climate-change, futures, design, art, CCCB, 2017, 2019, 2050

Mitigation of Shock is our attempt to make the size and complexity of a hyperobject like climate change tangible, relatable and specific. Following extensive research and prototyping, as well as interviews with experts from NASA, the UK Met Office and Forum for the Future, we built an entire future apartment situated in the context of climate change and its consequences on food security. People could step inside this family home and directly experience for themselves what the restrictions of this future might feel like. Instead of leaving visitors scared and unprepared by the challenges of this world, we shared methods and tools for not only surviving, but thriving there. Mitigation of Shock first appeared as an immersive installation in the show ‘After the End of the World’ at CCCB in 2017-18. The future home merges the macabre and the mundane as the social and economic consequences of climate change infiltrate the domestic space. More than fictional possibility, MOS is intended to kindle a sense of actionable hope by introducing a functioning network of tools hacked together from existing resources.

(via http://superflux.in/index.php/work/mitigation-of-shock/)

令和 REIWA the beginning of a new era.

Reiwa, 令和, Japan, 2019, nengō, time, era

hayakawajunpei:

Welcome to year one of Reiwa. The beginning of a new era in Japanese history. The end of Heisei (平成時代). Welcome to the era of the reign of his Royal Highness Emperor Naruhito.

The Reiwa period will start on May 1st 2019 when Prince Naruhito ascends the throne to become the 126th emperor of Japan. 2019 corresponds to Heisei 31 until April 30th, and Reiwa 1 (令和元年 Reiwa gannen, gannen means “first year”) from May 1st.

Reiwa ushers in a new era of significant change in Japanese society. New systems aimed at changing the way people work. The introduction of greater numbers of foreign workers - something that would never have been considered only ten years ago. Major revisions to the Labour Standards law will be implemented to stop the practice of working excessively long hours and to force Japanese people to take more time off work. Companies will be required to force employees to take at least five days of paid leave per year. Regulations with penalties for overtime are being introduced.

In the next five years, with the new visa status of “specified skilled worker” as many as 340,000 foreign workers are expected to move to Japan to work in 14 areas including nursing - and in the biggest shock to Japanese society - agriculture. Imagine that, foreigners tilling the fields and working on farms in Japan. I never thought I’d see that!

Numerous other things will see even more significant changes in Japanese society: the National pension premium will rise by ¥70 to ¥16,410 per month. A tax cut will be introduced for those who purchase electronic cars. Oh, and did I mention more foreigners.  

So, what’s in a name? 

令和 Reiwa. 令 rei: orders, command, ancient laws, decree, fortunate + 和 wa: harmony, peace, Japan, Japanese style. 

Reiwa signifies order and harmony. This is the first time the kanji for nengō have been chosen from Japanese classical literature. The kanji were selected from the ancient Manyōshū (万葉集) - the oldest extant compilation of Japanese poetry, written between 600 and 759 CE. "初春令月、氣淑風和", which means “Nice weather in an auspicious month in spring.“ The two kanji used in nengō have always previously been chosen from ancient classical Chinese literature. 

Reiwa is the 248th era in the history of Japan, the worlds oldest monarchy. Reiwa was the first time a new era has been announced while the reigning emperor is still living. Akihito is also the first emperor to abdicate for 200 years. 

An era name, nengō (年号) is an indivisible part of public life and shared memory in Japan. Everything that happens in the years to come — births, deaths, natural disasters, cultural and social circumstances, elections and political scandals —all will be connected to the era name. 

The proclamation of a new era has happened only twice in nearly a century. Japan has had 247 era names since instituting the system under Emperor Kōtoku in 645. From the Meiji era (1868–1912), there has been one era for each emperor. Previously, however, the name often changed several times during an imperial reign, such as in a spirit of renewal after an inauspicious event like a war, earthquake, epidemic, or major fire.

After his May 1 investiture, the new Emperor Naruhito will bear the new era name Reiwa for the duration of his rule and into death, becoming his official name after he passes.

Since Emperor Akihito announced his intention to abdicate, a highly confidential committee has been scrutinising ancient Japanese documents in search of the quintessential two kanji to describe the new era. The process, like the imperial system itself is steeped in Shintō ritual.

The introduction of the new era name brings with it some immediate conundrums in so much as it affects the printing and manufacturing of everything from government documents to calendars, family history registers, money, train tickets to computer software, official documentation to criminal and police records. Printers and programmers will be hard at work over the coming months bringing everything up to date. City offices and government agencies, which mostly use nengō in their computer systems and paperwork, have been preparing for months to avoid glitches. Car, bike, truck, bus, and boat manufacturers have been creating new VIN tags and Identification plates.

Officials will cross out Heisei on thousands of documents and stamp the new nengō above it until all old documents have been used and the new ones will come into use.

Schools and hospitals have been updating their electronic sign on systems and data bases to accept he new nengō.

The nengō is more than just a way of counting years for many Japanese. The introduction of a new nengō brings a lot of weight with it, it defines a period in history. As the Heisei era ends, it is remembered for all that it has defined in the hearts and minds of the Japanese. 

The nengō is a word that captures the national mood of a period, similar to the way "the roaring ‘20s” evokes distinct feelings or images. Nengō gives a certain meaning to a historical period, it’s the same as when historians refer to Britain’s “Victorian” or “Tudor” eras, tying the politics and culture of a period to a monarch. 

The 64-year Shōwa era (昭和時代) was a period of extraordinary pandemonium. The reign of the Shōwa Emperor Hirohito (December 25, 1926 until his death on January 7, 1989) saw Japan move from a minor democracy to outright militarism, bringing aggressive colonial expansion. It pursued a war of aggression that killed millions across the Pacific. Something China and South Korea, even after 73 years, can’t ever forgive. Following the end of defeat in the war, Japan’s remarkable economic growth has been called the “Japanese Miracle,” as the economy grew three times faster than other major nations. Shōwa has then generally come to be identified with Japan’s recovery and rising global prominence in the decades after World War II.

The Heisei era (平成時代) the reign of Emperor Akihito (8 January 1989 until abdication on April 30 2019) began on a high with decades of robust economic growth which saw Japan become a world leader in electronics and manufacturing, textiles and fashion, art and science. But the economic bubble soon popped, ushering a long period of stagnation. A series of disasters, the Kobe earthquake in 1995 and the Tōhoku earthquake in 2011, have marred the image of the Heisei era. Particularly the governments inability to provide efficient and effective relief during these times has given the Heisei era a gloomy image.   

Reiwa is looking already to see major changes in Japanese society. The introduction of more foreigners, the merger of major companies and the closing of others. The, as yet, supposed willingness of the Japanese government to implement better care for the people and a more robust and efficient labour system. Possible changes to the constitution. 

With the 2020 Olympics in Japan and the beginning of a new era, Japan is hoping to move beyond the Heisei era, beyond all the turmoil and stagnation. The ascension of a new emperor and the naming of a new era gives the people the sense of a fresh start and it’s certain to have a positive effect on the economy and society as a whole.

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Tobias Revell - Five Problems with Speculative Design (Pensee, Germinal, 227)

Tobias-Revell, SCD, design, speculative-design, futures, climate-change, 2019

We don’t have a good speculative design for planetary-change. The operating model of the business-design pipeline is exploiting the planet at one end and users at the other. The idea that these might in fact be the same thing would mean admitting that an operational focus on individual users and discrete time windows was ineffective design. And large sprawling change over massive time windows and shifting human/non-human interactions does not conform to the way in which revenue is reported. Again, this isn’t the fault of speculative design; designers need to eat. But, under these conditions we can’t to look at it as a catch-all solution for planetary collapse.

via http://blog.tobiasrevell.com/2019/04/five-problems-with-speculative-design.html

We Have to Save the Planet. So I’m Donating $1 Billion

NYT, Hansjörg-Wyss, climate, environment, philanthropy, 2019

Every one of us — citizens, philanthropists, business and government leaders — should be troubled by the enormous gap between how little of our natural world is currently protected and how much should be protected. It is a gap that we must urgently narrow, before our human footprint consumes the earth’s remaining wild places. For my part, I have decided to donate $1 billion over the next decade to help accelerate land and ocean conservation efforts around the world, with the goal of protecting 30 percent of the planet’s surface by 2030. This money will support locally led conservation efforts around the world, push for increased global targets for land and ocean protection, seek to raise public awareness about the importance of this effort, and fund scientific studies to identify the best strategies to reach our target. I believe this ambitious goal is achievable because I’ve seen what can be accomplished.

via https://www.nytimes.com/2018/10/31/opinion/earth-biodiversity-conservation-billion-dollars.html

Black hole named ‘Powehi’ by Hawaiian professor

Powehi, M87, blackhole, Hawaii, names, 2019

University of Hawaii-Hilo Hawaiian Professor Larry Kimura has given a Hawaiian name — Powehi — to the black hole depicted in an image produced in a landmark experiment. “Powehi” means “the adorned fathomless dark creation” or “embellished dark source of unending creation” and comes from the Kumulipo, an 18th-century Hawaiian creation chant. “Po” is a profound dark source of unending creation, while “wehi,” honored with embellishments, is one of the chant’s descriptions of po, the newspaper reported. “To have the privilege of giving a Hawaiian name to the very first scientific confirmation of a black hole is very meaningful to me and my Hawaiian lineage that comes from po,” Kimura said in a news release. A Hawaiian name was justified because the project included two Hawaii telescopes, astronomers said. “As soon as he said it, I nearly fell off my chair,” said Jessica Dempsey, deputy director of the James Clerk Maxwell Telescope on Mauna Kea.

via https://www.japantimes.co.jp/news/2019/04/12/world/science-health-world/black-hole-named-powehi-hawaiian-professor/#.XLBGQRaaSEd

Bacterial and fungal communities associated with the International Space Station

ISS, microbiome, space, bacteria, fungi, closed-system, space-travel, 2019

The International Space Station (ISS) is a closed system inhabited by microorganisms originating from life support systems, cargo, and crew that are exposed to unique selective pressures such as microgravity. To date, mandatory microbial monitoring and observational studies of spacecraft and space stations have been conducted by traditional culture methods, although it is known that many microbes cannot be cultured with standard techniques. To fully appreciate the true number and diversity of microbes that survive in the ISS, molecular and culture-based methods were used to assess microbial communities on ISS surfaces. Samples were taken at eight pre-defined locations during three flight missions spanning 14 months and analyzed upon return to Earth. The results reveal a diverse population of bacteria and fungi on ISS environmental surfaces that changed over time but remained similar between locations. The dominant organisms are associated with the human microbiome and may include opportunistic pathogens. This study provides the first comprehensive catalog of both total and intact/viable bacteria and fungi found on surfaces in closed space systems and can be used to help develop safety measures that meet NASA requirements for deep space human habitation. The results of this study can have significant impact on our understanding of other confined built environments on the Earth such as clean rooms used in the pharmaceutical and medical industries. https://doi.org/10.1186/s40168-019-0666-x

via https://microbiomejournal.biomedcentral.com/articles/10.1186/s40168–019–0666-x

Key indicators of Arctic climate change: 1971–2017

arctic, climate-change, climate, science, tipping-point, AMAP, IPCC, 1971, 2017, 2019

Key observational indicators of climate change in the Arctic, most spanning a 47 year period (1971–2017) demonstrate fundamental changes among nine key elements of the Arctic system. We find that, coherent with increasing air temperature, there is an intensification of the hydrological cycle, evident from increases in humidity, precipitation, river discharge, glacier equilibrium line altitude and land ice wastage. Downward trends continue in sea ice thickness (and extent) and spring snow cover extent and duration, while near-surface permafrost continues to warm. Several of the climate indicators exhibit a significant statistical correlation with air temperature or precipitation, reinforcing the notion that increasing air temperatures and precipitation are drivers of major changes in various components of the Arctic system. […] The Arctic biophysical system is now clearly trending away from its 20th Century state and into an unprecedented state, with implications not only within but beyond the Arctic.

via https://iopscience.iop.org/article/10.1088/1748–9326/aafc1b/meta

Uri Geller calls on Britons to help telepathically stop Brexit

brexit, telepathy, Uri-Geller, 2019

The illusionist Uri Geller has called on the British people to help him in his efforts to telepathically stop Brexit by sending their own telepathic messages to Theresa May’s mind, compelling her to revoke article 50. Geller wrote an open letter to the prime minister on Friday warning her he will use the powers of his mind to stop her from leading Britain into Brexit. He plans to transmit his psychic energy into May’s brain at the “very mystical time” of 11.11 in the morning and evening every day from a secret location near his home in Israel.

via https://www.theguardian.com/politics/2019/mar/23/uri-geller-calls-on-britons-to-help-telepathically-stop-brexit?CMP=Share_AndroidApp_Copy_to_clipboard

What went wrong with the Boeing 737 Max 8

boeing, 737, 737Max8, failure, risk, 2019

As airlines and safety regulators worldwide scramble to understand why two Boeing 737 Max 8 jets crashed in chillingly similar accidents, more indications are pointing to how an automated anti-stalling system may be linked to the model’s unusually deadly debut. The safety feature—the Maneuvering Characteristics Augmentation System (MCAS)—appears to have sent both planes into their fatal dives as pilots struggled to keep aloft. The 737 Max 8 and 9 were grounded by regulators around the world last week. Here are key details that have been reported—most significantly by the Seattle Times—about a series of engineering, regulatory, and political missteps that preceded software being installed on a widely used plane without pilots apparently fully understanding its risks.

via https://qz.com/1575509/what-went-wrong-with-the-boeing–737-max–8/

History of the AFP

AFP, Australia, protest, eggboy, politics, history, 1917, 2019

On 29 November 1917 while campaigning to introduce military conscription, Hughes was the target of eggs thrown by protestors when he arrived at Warwick Railway Station in southern Queensland. Prime Minister Hughes was incensed that the attending Queensland Police would not arrest the offenders under federal law, so when he returned to Parliament he set about drafting legislation to create the Commonwealth Police Force (CPF). The ‘Warwick Incident’ was the last straw for the Prime Minister who was engaged in a range of jurisdictional struggles with the Queensland Government at the time.

via https://www.afp.gov.au/about-us/our-organisation/history-afp

A Programmers Take on “Six Memos for the Next Millennium”

calvino, writing, programming, six-memos, Six-Memos-for-the-Next-Millennium, 2019

The reason why I’m writing about [Six Memos for the Next Millennium] is that while I think that they are great memos about writing, the more I think about them, the more they apply to programming. Which is a weird coincidence, because they were supposed to be memos for writers in the next millennium, and programming is kind of a new form of writing that’s becoming more important in this millennium. Being a game developer, I also can’t help but apply these to game design. So I will occasionally talk about games in here, but I’ll try to keep it mostly about programming.

via https://probablydance.com/2019/03/09/a-programmers-take-on-six-memos-for-the-next-millenium/

A gut feeling for mental health

health, microbiome, depression, KUL, VIB, gut-flora, 2019

The first population-level study on the link between gut bacteria and mental health identifies specific gut bacteria linked to depression and provides evidence that a wide range of gut bacteria can produce neuroactive compounds. Jeroen Raes (VIB-KU Leuven) and his team published these results today in the scientific journal Nature Microbiology. In their manuscript entitled ‘The neuroactive potential of the human gut microbiota in quality of life and depression’ Jeroen Raes and his team studied the relation between gut bacteria and quality of life and depression. The authors combined faecal microbiome data with general practitioner diagnoses of depression from 1,054 individuals enrolled in the Flemish Gut Flora Project. They identified specific groups of microorganisms that positively or negatively correlated with mental health. The authors found that two bacterial genera, Coprococcus and Dialister, were consistently depleted in individuals with depression, regardless of antidepressant treatment. The results were validated in an independent cohort of 1,063 individuals from the Dutch LifeLinesDEEP cohort and in a cohort of clinically depressed patients at the University Hospitals Leuven, Belgium.

via http://www.vib.be/en/news/Pages/A-gut-feeling-for-mental-health.aspx

Worldwide decline of the entomofauna: A review of its drivers

insects, climate-change, biodiversity, 2019, ecology, science, extinction

Biodiversity of insects is threatened worldwide. Here, we present a comprehensive review of 73 historical reports of insect declines from across the globe, and systematically assess the underlying drivers. Our work reveals dramatic rates of decline that may lead to the extinction of 40% of the world’s insect species over the next few decades. […] The main drivers of species declines appear to be in order of importance: i) habitat loss and conversion to intensive agriculture and urbanisation; ii) pollution, mainly that by synthetic pesticides and fertilisers; iii) biological factors, including pathogens and introduced species; and iv) climate change

via https://sci-hub.tw/https://www.sciencedirect.com/science/article/abs/pii/S0006320718313636

Better Language Models and Their Implications

gpt2, ML, AI, text, text-generation, generative, OpenAI, 2019

GPT-2 displays a broad set of capabilities, including the ability to generate conditional synthetic text samples of unprecedented quality, where we prime the model with an input and have it generate a lengthy continuation. In addition, GPT-2 outperforms other language models trained on specific domains (like Wikipedia, news, or books) without needing to use these domain-specific training datasets. On language tasks like question answering, reading comprehension, summarization, and translation, GPT-2 begins to learn these tasks from the raw text, using no task-specific training data. While scores on these downstream tasks are far from state-of-the-art, they suggest that the tasks can benefit from unsupervised techniques, given sufficient (unlabeled) data and compute.

via https://blog.openai.com/better-language-models/

State-of-the-art climate model shows how we can solve crisis

climate, mitigation, LDF, IPCC, UTS, SR15, energy, 2019

We are already seeing the devastating consequences of global warming, with ever-rising sea levels, extreme storms, prolonged droughts and intensified bushfires. Now, after two years of research and modelling, scientists have come up with a groundbreaking new framework for achieving – and even beating – the target of limiting warming to 1.5°C. The research by leading scientists at the University of Technology Sydney (UTS), the German Aerospace Center and the University of Melbourne, has been funded by the Leonardo DiCaprio Foundation (LDF) as part of its new One Earth initiative. This model is the first to achieve the required negative emissions through natural climate solutions, including the restoration of degraded forests and other lands, along with a transition to 100% renewable energy by mid-century.

via https://phys.org/news/2019–01-state-of-the-art-climate-crisis.html

Japan’s robot hotel lays off half the robots after they created more work for humans

Japan, Robots, hotel, 2019, strange, labour, employment

It turns out that even robots are having a tough time holding down a job. Japan’s Henn-na “Strange” Hotel has laid off half its 243 robots after they created more problems than they could solve […] One of the layoffs included a doll-shaped assistant in each hotel room called Churi. Siri, Google Assistant, and Alexa can answer questions about local businesses’ opening and closing times, but Churi couldn’t. When hotel guests asked Churi “What time does the theme park open?” it didn’t have a good answer. That was a problem because Churi was supposed to help ameliorate the Strange Hotel’s staff shortage by substituting in for human workers.

via https://www.theverge.com/2019/1/15/18184198/japans-robot-hotel-lay-off-work-for-humans