Random acts - an unnatural history of the world
made by weirdcore and Jack Chapman
music by Russell Haswell
presented by Eric Wareheim
FoAM. Skirting the adjacent possible (2017)
FoAM, Transforming transformation (2017)
COLMAP is a general-purpose Structure-from-Motion (SfM) and Multi-View Stereo (MVS) pipeline with a graphical and command-line interface. It offers a wide range of features for reconstruction of ordered and unordered image collections. The software is licensed under the GNU General Public License.
Watch live video from 317070 on www.twitch.tv video link
“Large Scale Deep neural net dreaming, steered by chat (now 2x more pixels)“
20150423 (via http://flic.kr/p/s4iDZ4 )
fo[am]tones - scratch (via http://flic.kr/p/sgFNAR )
fo[am]tones - scratch (via http://flic.kr/p/rjJqqW )
fo[am]tones - scratch (via http://flic.kr/p/rZhnT4 )
fo[am]tones - scratch (via http://flic.kr/p/sgzKK3 )
fo[am]tones - scratch (via http://flic.kr/p/sgFMC8 )
fo[am]tones - scratch (via http://flic.kr/p/sgJBGz )
fo[am]tones - scratch (via http://flic.kr/p/rZ9hvL )
s_c09_59915304.jpg (via http://www.theatlantic.com/infocus/2013/01/chinas-toxic-sky/100449/)
So what I’m going to talk today, obliquely, about is a project that I’ve been sort of accidentally engaged in for the last six months or so, to which I gave the name “The New Aesthetic,” which is a rubbish name but it seems to have taken hold. And people are responding to it, which is good. And I’m going to try and talk through some of the symptoms of that, this project, this way of seeing, that is itself about ways of seeing. And this talk is about the aesthetics of that. So this idea extends in all directions and through all forms in media and technologies. But because I have nice big screens here, I’m going to show you a lot of pictures of it.
http://www.webdirections.org/resources/james-bridle-waving-at-the-machines/