Weird is a wayward word: though it describes a set of singular effects that link the cultural fringe with peculiar personal experiences, it remains an elusive and marginal term. The similar notion of the uncanny is, on the other hand, basically an establishment term, a well-established literary effect with a sophisticated psychoanalytic pedigree. Weirdness, we might say then, is the uncanny’s low-brow doppelganger, a demotic country cousin that races hot-rods, wears mis-matched socks, and inhabits the strange borderlands between this world and the beyond.
