Posts tagged SanNuvola

I want to propose to translate 三杯鸡 as 1 Chicken 3 Cups

— 胡子哥 (@SanNuvola) July 16, 2020

(via http://twitter.com/SanNuvola/status/1283866077781516288)

this is a real low blow pic.twitter.com/WnIpfQxp9Z

— 胡子哥 (@SanNuvola) February 1, 2020

(via http://twitter.com/SanNuvola/status/1223665654307479552)

the most powerful land art piece of the decade pic.twitter.com/uR6SaGcOoX

— 胡子哥 (@SanNuvola) January 21, 2020

(via http://twitter.com/SanNuvola/status/1219614521586745349)

Object-Oriented Ontology was philosophy’s Out Of Office e-mail reply

— 胡子哥 (@SanNuvola) December 24, 2019

(via http://twitter.com/SanNuvola/status/1209536375327985665)

“A recorder that ‘records’ sounds of the future troubles the linear temporality and becomes a haunted medium of different worlds - human and nonhuman, life and afterlife, and a liminal site of competing worldviews, value systems, and modes of justice.”

— 胡子哥 (@SanNuvola) November 25, 2019

(via http://twitter.com/SanNuvola/status/1199069606645813250)

the intersection of art and technology is closed until further notice

— 胡子哥 (@SanNuvola) November 6, 2019

(via http://twitter.com/SanNuvola/status/1192196660115447813)

my top 5 research methods:
- make a mixtape
- talk to the bots
- bust a deadline because of a noise gig
- take very long screenshots of apps
- say yes to everything

— 胡子哥 (@SanNuvola) September 19, 2019

(via http://twitter.com/SanNuvola/status/1174590704686755840)

new entry for my drawer of ethnographic probes pic.twitter.com/EsygFciloT

— 胡子哥 (@SanNuvola) June 5, 2019

(via http://twitter.com/SanNuvola/status/1136200475332829185)

“when removed from the circumstances for which it was designed, WaveNet can “speak” on its own. […] speechlike sounds are accompanied by the irregular clicking of digital teeth and smacking of synthetic lips. […]What human mouth might produce such uncanny abjection?”

— 胡子哥 (@SanNuvola) February 13, 2019

(via http://twitter.com/SanNuvola/status/1095604715167961088)

just biked from Taipei to New Taipei City while listening to the entirety of DJ Shadow’s “Endtroducing…..”, extremely into it pic.twitter.com/6MqyQRBZo8

— 胡子哥 (@SanNuvola) January 26, 2019

(via http://twitter.com/SanNuvola/status/1089235121901686784)

Ten years ago I set up a small DIY label for noise & experimental music. After 36 releases by artists from Italy, China, UK, Australia, Hong Kong & Germany, we’re closing shop & everything is on Bandcamp for free download. A few takeaways: https://t.co/cFLegqLuTt

— 胡子哥 (@SanNuvola) January 25, 2019

(via http://twitter.com/SanNuvola/status/1088786826372907009)

“So, what is this idea(l) of proximity and “clean” sounds about? Isn’t a recording as much about the distance and its space as it is about the desired subject? Doesn’t a veiled mountain tell you as much about the mountain as seen in clear sunshine?” https://t.co/2qPkVJUcxI

— 胡子哥 (@SanNuvola) January 16, 2019

(via http://twitter.com/SanNuvola/status/1085483480719384577)

my new rooftop, I’m crying pic.twitter.com/1gq5XxHJXB

— 胡子哥 (@SanNuvola) January 11, 2019

(via http://twitter.com/SanNuvola/status/1083669842744365057)

post-shanzhai arises at the intersection of big tech marketing and bad urban design, becoming the perfect carrier for state surveillance: if you add enough screens and traditional culture, face recognition cameras become an acceptable externality https://t.co/DLxLmVryQV

— 胡子哥 (@SanNuvola) November 11, 2018

(via http://twitter.com/SanNuvola/status/1061535414069080065)

wondering if it makes sense of identifying a “post-shanzhai” trend emerging in Chinese tech, as copycatting and cloning low/mid-tier consumer electronics give way to shitty and uncanny tech demos https://t.co/P5zWzc5WpI

— 胡子哥 (@SanNuvola) November 11, 2018

(via http://twitter.com/SanNuvola/status/1061532392295256064)