Experience is interconnected and entangled. Unpredictable. It can never be fully explained. There is always something that slips beyond words. A description or a model of an interconnected world does not encompass all the complex processes of making connections.
While the sense of the moment may be one of accelerated change, there is simultaneously drag, weight and the inevitable delays of change that takes too long. Injustices perpetuated. We find ourselves in situations without an escape velocity.
Is the uncertainty we’re experiencing just a series of erratic oscillations or are we in the free fall toward something more massive? Things are collapsing, and sometimes the best thing to do is let them. Accept the gritty reality of it all.
This doesn’t mean giving up. Quite the opposite.
Posts tagged uncertainty
Over at Superflux, our work investigating potential and plausible futures, involves extensively scanning for trends and signals from which we trace and extrapolate into the future. Both qualitative and quantitative data play an important role. In doing such work, we have observed how data is often used as evidence, and seen as definitive. Historical and contemporary datasets are often used as evidence for a mandate for future change, especially in some of the work we have undertaken with governments and policy makers. But lately we have been thinking if this drive for data as evidence has led to the unshakeable belief that data is evidence.
“We live in an era of great turbulence, with economic decline running in paradoxical tandem with technological advance. It is only to be expected that our antiquated institutions haven’t been able to keep up, and our nation states, political parties and supranational bodies are starting to unravel. Politicians now seem perennially in the business of chaos management, and the suspicion must be that this process has only just begun. The inevitable chorus of voices crying out for “a period of stability” sadly misses the point: we aren’t at that place in our history, and trying to impose inertia on those fluid times may only be inviting further discord.”
–Irvine Welsh,The beauty beneath Brexit’s bedwetting.
The concept of liminality was first used to describe the structure of rituals like the one at the centre of The Encounter, but its application as a term for thinking about modern societies is connected to the study of theatre and performance. The anthropologist who made the connection, Victor Turner, distinguished the ‘liminal’ experiences of tribal cultures – in which ritual is a collective process for navigating moments of change – from the ‘liminoid’ experiences available in modern societies, which resemble the liminal, but are choices we opt into as individuals, like a night out at the theatre. This distinction comes with a suggestion that true liminality, the collective entry into the liminal, is not available within a complex industrial society. Now, perhaps this has been true – but here’s my next wild suggestion. The consequences of that very complex industrial society are now bringing us to a point where we get reacquainted with true liminality. To take seriously not just what Dark Mountain has been talking about, but what Monbiot and Harris are touching on, is to recognise that we now face a crisis which has no outside. The planetary scale of our predicament makes it as much a collective experience as anything faced by the tribal cultures studied by Turner and his colleagues. […] To navigate at these depths, you need a different kind of equipment. Facts alone don’t cut it down here.
“These are not the End Times. This is the Warning. It’s a hell of a time to be alive.”
What does Keats mean by ‘negative capability’? Clearly, he is using the word ‘negative’ not in a pejorative sense, but to convey the idea that a person’s potential can be defined by what he or she does not possess – in this case a need to be clever, a determination to work everything out. Essential to literary achievement, Keats argues, is a certain passivity, a willingness to let what is mysterious or doubtful remain just that. His fellow poet Samuel Taylor Coleridge, he suggests, would do well to break off from his relentless search for knowledge, and instead contemplate something beautiful and true (‘a fine verisimilitude’) caught, as if by accident, from the most secret part (‘Penetralium’) of mystery. The experience and intuitive appreciation of the beautiful is, indeed, central to poetic talent, and renders irrelevant anything that is arrived at through reason. Keats ends his brief discussion of negative capability by concluding that ‘with a great poet the sense of Beauty overcomes every other consideration, or rather obliterates all consideration’.
“several things dovetailed in my mind,& at once it struck me, what quality went to form a Man of Achievement especially in Literature& which Shakespeare possessed so enormously – I mean Negative Capability, that is when a man is capable of being in uncertainties, Mysteries, doubts, without any irritable reaching after fact& reason – Coleridge, for instance, would let go by a fine isolated verisimilitude caught from the Penetralium of mystery, from being incapable of remaining content with half knowledge”
–John Keats (on ‘Negative capability’)
Often, we need fast answers with limited resources. We have to make judgements in a world full of uncertainty. We can’t measure everything. We can’t run all the experiments we’d like. You may not have the resources to model a product or the impact of a decision. How do you find a balance between finding fast answers and finding correct answers? How do you minimize uncertainty with limited resources?
“Ghosts used to be either the likeness of the dead or wraiths of the living. But here in the Zone categories have been blurred badly. The status of the name you miss, love, and search for now has grown ambiguous and remote, but this is even more than the bureaucracy of mass absence- some still live, some have died, but many, many have forgotten which they are. Their likenesses will not serve. Down here are only wrappings left in the light, in the dark: images of the Uncertainty…”
–Thomas Pynchon,Gravity’s Rainbow
Strong views, weakly held
Even people who say they are looking for creativity react negatively to creative ideas, as demonstrated in a 2011 study from the University of Pennsylvania. Uncertainty is an inherent part of new ideas, and it’s also something that most people would do almost anything to avoid. People’s partiality toward certainty biases them against creative ideas and can interfere with their ability to even recognize creative ideas.
By contrast I emphasize the role of misconceptions, misinterpretations and a sheer lack of understanding in shaping the course of events. I focus on the process of change rather than on the eventual outcome. The process involves reflexive feedback loops between the objective and subjective aspects of reality. Fallibility insures that the two aspects are never identical. That is where my framework differs from mainstream economics.