Posts tagged Trevor Paglen
Seeing machines is an expansive definition of photography. It is intended to encompass the myriad ways that not only humans use technology to “see” the world, but the ways machines see the world for other machines. Seeing machines includes familiar photographic devices and categories like viewfinder cameras and photosensitive films and papers, but quickly moves far beyond that. It embraces everything from iPhones to airport security backscatter-imaging devices, from electro-optical reconnaissance satellites in low-earth orbit, to QR code readers at supermarket checkouts, from border checkpoint facial-recognition surveillance cameras to privatized networks of Automated License Plate Recognition systems, and from military wide-area-airborne-surveillance systems, to the roving cameras on board legions of Google’s Street View” cars.
http://blog.fotomuseum.ch/2014/03/ii-seeing-machines/
21st Century “photography” has come to encompass so many different kinds of technologies, imaging apparatuses, and practices that the kinds of things we easily recognize as photography (cameras, film, prints, etc.) now actually constitute an exception to the rule. I proposed a much broader definition – seeing machines. The point of having such an expanded definition is to help us notice and recognize the myriad ways in which imaging systems (including traditional cameras), and the images they produce, are both ubiquitous, and actively sculpting the world in ways that were unimaginable just a few decades ago.
http://blog.fotomuseum.ch/2014/03/iii-scripts/
Photography has become so fundamental to the way we see that “photography” and “seeing” are becoming more and more synonymous. The ubiquity of photography is, perhaps ironically, a challenge to curators, practitioners, and critics. Why look at any particular image, when they are literally everywhere? Perhaps “photography” has become so all-pervasive that it no longer makes sense to think about it as a discreet practice or field of inquiry. In other words, perhaps “photography,” as a meaningful cultural trope, is over.
http://blog.fotomuseum.ch/2014/03/i-is-photography-over/