Posts tagged utopianism
While degrowth does not have a succinct analysis of how to respond to today’s shifting socio-technical regimes—accelerationism’s strong point – at the same time accelerationism under-theorizes the increased material and energetic flows resulting from this shifting of gears. Put another way, efficiency alone can limit its disastrous effects. As degrowth theorists have underlined, environmental limits must be politicized; control over technology must therefore be democratized; metabolic rates must be decelerated if Earth is to remain livable. To conclude, accelerationism comes across as a metaphor stretched far too thin. A napkin sketch after an exciting dinner-party, the finer details colored in years afterwards—but the napkin feels a bit worn out. Big questions need to be asked, questions unanswered by the simplistic exhortation to “shift the gears of capitalism.” When the gears are shifted, the problem of metabolic limits won’t be solved simply through “efficiency”—it must acknowledge that increased efficiency and automation has, and likely would still, lead to increased extractivism and the ramping up of environmental injustices globally. Or another: what does accelerationism mean in the context of a war machine that has historically thrived on speed, logistics, and the conquest of distance? Is non-violent acceleration possible, and what would class struggle look like in that scenario? To be fair, the word “degrowth” also fails to answer many big questions. There has been little discussion on whether mass deceleration is possible when, as Virilio shows, all mass changes in social relations have historically occurred through acceleration. Can hegemony decelerate? If degrowth lacks a robust theory of how to bring about regime shift, then Williams and Snricek’s brand of accelerationism doesn’t allow for a pluralist vocabulary that looks beyond its narrow idea of what constitutes system change. And yet, the proponents of each ideology will likely be found in the same room in the decades to come. Despite their opposite ‘branding’, they should probably talk. They have a lot to learn from each other.
Located on the futurist left end of the political spectrum, fully automated luxury communism (FALC) aims to embrace automation to its fullest extent. The term may seem oxymoronic, but that’s part of the point: anything labeled luxury communism is going to be hard to ignore. “There is a tendency in capitalism to automate labor, to turn things previously done by humans into automated functions,” says Aaron Bastani, co-founder of Novara Media. “In recognition of that, then the only utopian demand can be for the full automation of everything and common ownership of that which is automated.” Bastani and fellow luxury communists believe that this era of rapid change is an opportunity to realise a post-work society, where machines do the heavy lifting not for profit but for the people.
I believe that it is correct to view luxury communism from a utopian perspective, not in the sense of something that is impossible but in the sense of something that attempts to open up the sense of future possibilities as opposed to a mere repetition of present conditions. Partially this is to act as a critique of the present, partially to act as a spur towards an open future. Indeed, the use of the term ‘communism’ implies a radical alternative future vision, one that is subversive of the present and, yes, even utopian. It is here that I think that fully automated luxury communism, by putting too much faith in capitalist technology overcoming scarcity and the need for labour, fails to imagine a more general transformation of social relations. To avoid this tendency, and to encourage thinking about the overcoming of the paradoxes and miseries of capitalism, we need to seriously engage in utopian experimentation in future possibilities.
There is something enigmatically utopian in this demand: as if it were the duty of Europe to realise their dreams – dreams which, incidentally, are out of reach of most Europeans (surely a good number of Southern and Eastern Europeans would prefer to live in Norway too?). It is precisely when people find themselves in poverty, distress and danger – when we’d expect them to settle for a minimum of safety and wellbeing – that their utopianism becomes most intransigent. But the hard truth to be faced by the refugees is that ‘there is no Norway,’ even in Norway.
It might be argued that some of the main themes infused in generative art are those to do with a kind of techno-utopianism and futurism. Have you come across any generative artworks that deal with dystopian themes or have a sense of anachronism about them? More importantly are the technologies and software used in creating these artworks inherently defining their aesthetics?