A year in illustration, 2023 edition (part one)

mostlysignssomeportents:

A year in illustration, 2023 edition (part one)

A one-bit MacPaint tool palette, blown up.ALT

(This is part one; part two is here. )

I am objectively very bad at visual art. I am bad at vision, period – I’m astigmatic, shortsighted, color blind, and often miss visual details others see. I can’t even draw a stick-figure. To top things off, I have cataracts in both eyes and my book publishing/touring schedule is so intense that I keep having to reschedule the surgeries. But despite my vast visual deficits, I thoroughly enjoy making collages for this blog.

For many years now – decades – I’ve been illustrating my blog posts by mixing public domain and Creative Commons art with work that I can make a good fair use case for. As bad as art as I may be, all this practice has paid off. Call it unseemly, but I think I’m turning out some terrific illustrations – not all the time, but often enough.

Last year, I rounded up my best art of the year:

https://pluralistic.net/2022/12/25/a-year-in-illustration/

And I liked reflecting on the year’s art so much, I decided I’d do it again. Be sure to scroll to the bottom for some downloadables – freely usable images that I painstakingly cut up with the lasso tool in The Gimp.

A remixed version of David Trampier's 'Eye of Moloch,' the cover of the first edition of the AD&D Player's Handbook. It has been altered so the title reads 'Advanced Copyright Fuckery. Unclear on the Concept. That's Just Not How Licenses Work. No, Seriously.' The eyes of the idol have been replaced by D20s displaying a critical fail '1.' Its chest bears another D20 whose showing face is a copyright symbol.ALT

The original AD&D hardcover cover art is seared into my psyche. For several years, there were few images I looked at so closely as these. When Hasbro pulled some world-beatingly sleazy stuff with the Open Gaming License, I knew just how to mod Dave Trampier’s ‘Eve Of Moloch’ from the cover of the Players’ Handbook. Thankfully, bigger nerds than me have identified all the fonts in the image, making the remix a doddle.

https://pluralistic.net/2023/01/12/beg-forgiveness-ask-permission/#whats-a-copyright-exception

Hansel and Gretel in front of the witch's candy house. Hansel and Gretel have been replaced with line-drawings of influencers, taking selfies of themselves with the candy house. In front of the candy house stands a portly man in a business suit; his head is a sack of money with a dollar-sign on it. He wears a crooked witch's hat. The cottage has the Tiktok logo on it.ALT

Even though I don’t keep logs or collect any analytics, I can say with confidence that “Tiktok’s Enshittification” was the most popular thing I published on Pluralistic this year. I mixed some public domain Brother’s Grimm art, mixed with a classic caricature of Boss Tweed, and some very cheesy royalty-free/open access influencer graphics. One gingerbread cottage social media trap, coming up:

https://pluralistic.net/2023/01/21/potemkin-ai/#hey-guys

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