Okay, I guess this has to be said, because the people will always claim the same wrong thing: No, Solarpunk did not “start out as an aesthetic”.
Jesus, where the hell does this claim even come from? Like, honestly, I am asking.
Solarpunk started out as a genre, that yes, did also include design elements, but also literary elements. A vaguely defined literary genre, but a genre never the less.
And I am not even talking about those early books that we today also claim under the Solarpunk umbrella. So, no, I am not talking about Ursula K. LeGuin, even though she definitely was a big influence on the genre.
The actual history of Solarpunk goes something like that: In the late 1990s and early 2000s the term “Ecopunk” was coined, which was used to refer to books that kinda fit into the Cyberpunk genre umbrella, but were more focused on ecological themes. This was less focused on the “high tech, high life” mantra that Solarpunk ended up with, but it was SciFi stories, that were focused on people interacting with the environment. Often set to a backdrop of environmental apocalypse. Now, other than Solarpunk just a bit later, this genre never got that well defined (especially with Solarpunk kinda taking over the role). As such there is only a handful of things that ever officially called themselves Ecopunk.
At the same time, though, the same sort of thought was picked up in the Brazilian science fiction scene, where the idea was further developed. Both artistically, where it got a lot of influence from the Amazofuturism movement, but also as an ideology. In this there were the ideas from Ecopunk as the “scifi in the ecological collaps” in there, but also the idea of “scifi with technology that allows us to live within the changing world/allows us to live more in harmony with nature”.
Now, we do not really know who came up with the idea of naming this “Solarpunk”. From all I can find the earliest mention of the term “Solarpunk” that is still online today is in this article from the Blog Republic of Bees. But given the way the blogger talks about it, it is clear there was some vague definition of the genre before it.
These days it is kinda argued about whether that title originally arose in Brazil or in the Anglosphere. But it seems very likely that the term was coined between 2006 and 2008, coming either out of the Brazilian movement around Ecopunk or out of the English Steampunk movement (specifically the literary branch of the Steampunk genre).
In the following years it was thrown around for a bit (there is an archived Wired article from 2009, that mentions the term once, as well as one other article), but for the moment there was not a lot happening in this regard.
Until 2012, when the Brazilian Solarpunk movement really started to bloom and at the same time in Italy Commando Jugendstil made their appearance. In 2012 in Brazil the anthology “Solarpunk: Histórias ecológicas e fantásticas em um mundo sustentável” was released (that did get an English translation not too long ago) establishing some groundwork for the genre. And Commando Jugendstil, who describe themselves as both a “Communication Project” and an “Art Movement”, started to work on Solarpunk in Italy. Now, Commando Jugendstil is a bit more complicated than just one or the other. As they very much were a big influence on some of the aesthetic concepts, but also were releasing short stories and did some actual punky political action within Italy.
And all of that was happening in 2012, where the term really started to take off.
And only after this, in 2014, Solarpunk became this aesthetic we know today, when a (now defuct) tumblr blog started posting photos, artworks and other aesthetical things under the caption of Solarpunk. Especially as it was the first time the term was widely used within the Anglosphere.
Undoubtedly: This was probably how most people first learned of Solarpunk… But it was not how Solarpunk started. So, please stop spreading that myth.
The reason this bothers me so much is, that it so widely ignores how this movement definitely has its roots within Latin America and specifically Brazil. Instead this myth basically tries to claim Solarpunk as a thing that fully and completely originated within the anglosphere. Which is just is not.
And yes, there was artistic aspects to that early Solarpunk movement, too. But also a literary and political aspectt. That is not something that was put onto a term that was originally an aesthetic - but rather it was something that was there from the very beginning.
Again: There has been an artistic and aesthetic aspect in Solarpunk from the very beginning, yes. But there has been a literary and political aspect in it the entire time, too. And trying to divorce Solarpunk from those things is just wrong and also… kinda misses the point.
So, please. Just stop claiming that entire “it has been an aesthetic first” thing. Solarpunk is a genre of fiction, it is a political movement, just as much as it is an artistic movement. Always has been. And there has always been punk in it. So, please, stop acting as if Solarpunk is just “pretty artistic vibes”. It is not.
Thanks for coming to my TED Talk, I guess.
Hi! Admin Jay here! Great overview thanks @alpaca-clouds! Commando Jugendstil are good friends of ours, we love them a lot, solidarity!
Perhaps one day the folks behind this blog will write the history of Solarpunk - as we understand it - because its way weirder than you’d expect! lol
For now tho, for those interested, you can find a (more or less complete) history of Solarpunk media online from 2008-18 at the reference guide we put together.
The first Solarpunk post on Tumblrever was our ‘The initial equation’ posted by Admin Adam Flynn, June 2012.
Concurring with Alpaca,
Solarpunk hasalwaysbeen about more than pretty aesthetics: Check out Adam’s July 2012 essay ’On the Need for New Futures’ republished here with a forward which was written after the IRL/Online Solarpunk meet-up at WeirdShitConPortland 2012. Post which, many of the other early admins on this blog got added and involved.
It’s worth mentioning that
'Need for New Futures’ends with a bunch of open political and social questions asking what Solarpunk could become? (as it wasn’t anything at all at the time) the last two being:
What is the visual aesthetic of Solarpunk?
Who’s with us?
Solarpunk as it’s known today originates in Brazil!
When ’
Need for New Futures’ went online ’
Histórias ecológicas’ was yet to be published, but novelist
JesseaPerry was aware of it, and said the word 'Solarpunk’ to Adam - and the rest is history.
Subsequently,
Solarpunk had parallel development in the Anglosphere and in Brazil with NO contact between the two scenes until after the publication of the Kickstarted translation of
Histórias ecológicas in English by Sarena Ulibarri at Worldweavers in 2017. We (folks behind this blog) have had our lives
enriched immensely by contact and dialogue with Solarpunks in Brazil since this happened! The
Solarpunk movement at large is in great debt to Sarena!
Being involved in Solarpunk and its community of - kind, motivated people, who are concerned with the struggles en route to a better world, the solutions to live comfortably without fossil fuels, how to equitably manage scarcity and share abundance, to be kinder to each other and to the planet we share - for the last decade, has been one of the biggest and most meaningful experiences of my life.
Thank you Solarpunks 🙏.
I’ll close with our groupblogs tagline since the beginning:
Solarpunk: At once a vision of the future, a thoughtful provocation, and an achievable lifestyle. In progress…
