At any one time, there have probably only been a few dozen accelerationists in the world. The label has only been in regular use since 2010, when it was borrowed from Zelazny’s novel by Benjamin Noys, a strong critic of the movement. Yet for decades longer than more orthodox contemporary thinkers, accelerationists have been focused on many of the central questions of the late 20th and early 21st centuries: the rise of China; the rise of artificial intelligence; what it means to be human in an era of addictive, intrusive electronic devices; the seemingly uncontrollable flows of global markets; the power of capitalism as a network of desires; the increasingly blurred boundary between the imaginary and the factual; the resetting of our minds and bodies by ever-faster music and films; and the complicity, revulsion and excitement so many of us feel about the speed of modern life. “We all live in an operating system set up by the accelerating triad of war, capitalism and emergent AI,” says Steve Goodman, a British accelerationist who has even smuggled its self-consciously dramatic ideas into dance music, via an acclaimed record label, Hyperdub. “Like it or not,” argues Steven Shaviro, an American observer of accelerationism, in his 2015 book on the movement, No Speed Limit, “we are all accelerationists now.”
via https://www.theguardian.com/world/2017/may/11/accelerationism-how-a-fringe-philosophy-predicted-the-future-we-live-in