Both photographs by Regis Duvignau/REUTERS, A golden eagle grabs a flying drone during a military training exercise at…
Both photographs by Regis Duvignau/REUTERS, A golden eagle grabs a flying drone during a military training exercise at Mont-de-Marsan French Air Force base, Southwestern France, February 10, 2017. Top, Via. Bottom, Via.
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This difference between the body, which gets you in the end, and the spirit, which is actually immortal – that’s really a terrible discrepancy.
Rainer Werner Fassbinder interviewed by Hella Schlumberger for Playboy Germany, April 1978. Via. Via.
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The camera basically dehumanizes its subjects and makes them look like zombies by reducing them to their basic biological essence, their heat signature. Among other things, it reads people’s eyes as orbs of viscous black jelly, which makes a mockery of the idea of the eyes being a window to the soul. It really is a deeply sinister technology.
Richard Mosse interviewed by Christian Viveros-Fauné Richard Mosse’s New Film Portrays the Refugee Crisis in Thermal Detail It is set to premiere at London’s Barbican Centre for artnet, February 13, 2017.