I AM walking through my north London neighbourhood on an unseasonably warm day in late autumn. I can hear birds tweeting in the trees, traffic prowling the back roads, children playing in gardens and Wi-Fi leaching from their homes. Against the familiar sounds of suburban life, it is somehow incongruous and appropriate at the same time. As I approach Turnpike Lane tube station and descend to the underground platform, I catch the now familiar gurgle of the public Wi-Fi hub, as well as the staff network beside it. On board the train, these sounds fade into silence as we burrow into the tunnels leading to central London. I have been able to hear these fields since last week. This wasn’t the result of a sudden mutation or years of transcendental meditation, but an upgrade to my hearing aids. With a grant from Nesta, the UK innovation charity, sound artist Daniel Jones and I built Phantom Terrains, an experimental tool for making Wi-Fi fields audible.
