Aveek Sen on Italo Calvino’s “The Adventure of a Photographer”

In recording Antonino’s descent into a psycho-pathology of everyday life driven by the camera, Calvino shows how photography could lead, through an obsession with capturing the real, toward the unhinging of the mind from that very reality. It is, paradoxically, the compulsion to document that dooms photography to transgress the limits of the visible, opening up a terrain that belongs to the imagination rather than to empirical certitude. In his tribute to Barthes, Calvino described the capacity of language to speak about things “that are not”: this was its fundamental difference from photography. Yet, in this story, Antonino takes photography close to the inwardness of the imagination unshackled from the real, and to the irreducible logic of memory, dream, and fantasy. This is also the domain of fiction and, dare one say, of art. It is the rigorous unruliness of fiction— rather than the discursiveness of theory, or the objectivity of history—that becomes the mode in which Calvino fathoms the meaning and possibilities of photography. It is fiction that rescues photography from the risk-averse middle path of empiricism by toppling the eye, and the eye’s mind, into the abyss of the invisible.

http://www.aperture.org/blog/redux-italo-calvinos-the-adventure-of-a-photographer/